A Proposal Under Difficulties: A FarceBangs, John Kendrick
General
A Proposal Under Difficulties: A Farce
Bangs, John Kendrick
American drama -- 19th century; Comedy plays; Marriage proposals -- Drama; New York (N.Y.) -- Drama
_Barlow_ (_striking thoughtful attitude_). Yes, where can it be? Let me
do your thinking for you, Miss Dorothy. (_Then softly to her._) Always!
_Yardsley_ (_mocking BARLOW_). Yes! Let _me_ think! (_Points his finger
at his forehead and assumes tragic attitude. Then stalks to the front of
stage in manner of burlesque Hamlet._) Come, thought, come. Shed the
glory of thy greatness full on me, and thus confound mine enemies.
Where the deuce is that Gibson?
_Dorothy._ Oh, I remember. It's upstairs. I took it up with me last
night. I'll ring for Jennie, and have her get it.
_Yardsley_ (_aside, and in consternation_). Jennie! Oh, thunder! I'd
forgotten her. I do hope she remembers not to forget herself.
_Barlow._ What say?
_Yardsley._ Nothing; only--ah--only that I thought it was very--very
pleasant out.
_Barlow._ That's what you said before.
_Yardsley_ (_indignantly_). Well, what of it? It's the truth. If you
don't believe it, go outside and see for yourself.
[_JENNIE appears at the door in response to DOROTHY'S ring.
She glances demurely at YARDSLEY, who tries to ignore her
presence._
_Dorothy._ Jennie, go up to my room and look on the table in the corner,
and bring me down the portfolio you will find there. The large brown one
that belongs in the stand over there.
_Jennie_ (_dazed_). Yessum. And shall I be bringin' lemons with it?
_Dorothy._ Lemons, Jennie?
_Jennie._ You always does have lemons with your tea, mum.
_Dorothy._ I didn't mention tea. I want you to get my portfolio from
upstairs. It is on the table in the corner of my room.
[_Looks at JENNIE in surprise._
_Jennie._ Oh, excuse me, mum. I didn't hear straight.
[_She casts a languishing glance at YARDSLEY and disappears._
_Yardsley_ (_noting the glance, presumably aside_). Confound that
Jennie!
_Barlow_ (_overhearing YARDSLEY_). What's that? Confound that Jennie?
Why say confound that Jennie? Why do you wish Jennie to be confounded?
_Yardsley_ (_nervously_). I didn't say that. I--ah--I merely said
that--that Jennie appeared to be--ah--confounded.
_Dorothy._ She certainly is confused. I cannot understand it at all.
Ordinarily I have rather envied Jennie her composure.
_Yardsley._ Oh, I suppose--it's--it's--it's natural for a young girl--a
servant--sometimes to lose her--equipoise, as it were, on occasions. If
we lose ours at times, why not Jennie? Eh? Huh?
_Barlow._ Certainly.
_Yardsley._ Of course--ha--trained servants are hard to get these days,
anyhow. Educated people--ah--go into other professions, such as law,
and--ah--the ministry--and--
_Dorothy._ Well, never mind. Let's talk of something more interesting
than Jennie. Going to the Chrysanthemum Show, Mr. Barlow?
_Barlow._ I am; wouldn't miss it for the world. Do you know, really now,
the chrysanthemum, in my opinion, is the most human-looking flower we
have. The rose is too beautiful, too perfect, for me. The chrysanthemum,
on the other hand--
Public-domain text, read in full here on John Shaqi.
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