A Proposal Under Difficulties: A FarceBangs, John Kendrick
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A Proposal Under Difficulties: A Farce
Bangs, John Kendrick
American drama -- 19th century; Comedy plays; Marriage proposals -- Drama; New York (N.Y.) -- Drama
_Barlow_ (_coming forward_). Wise man, cold weather like this. It would
be terrible if you let your mind go out in cold weather without anything
on it. Might catch cold in your idea.
_Dorothy._ I wonder why Jennie doesn't come? I shall have to ring again.
[_Pushes electric button again._
_Yardsley_ (_with an effort at brilliance_). The kitchen belle doesn't
seem to work.
_Dorothy._ Ordinarily she does, but she seems to be upset by something
this afternoon. I'm afraid she's in love. If you will excuse me a moment
I will go and prepare the tea myself.
_Barlow._ Do; good! Then we shall not need the sugar.
_Yardsley._ You might omit the spoons too, after a remark like that,
Miss Dorothy.
_Dorothy._ We'll omit Mr. Barlow's spoon. I'll bring some for you and
me.
[_She goes out._
_Yardsley_ (_with a laugh_). That's one on you, Barlow. But I say, old
man (_taking out his watch and snapping the cover to three or four
times_), it's getting very late--after five now. If you want to go with
Billie Wilkins you'd better take up your hat and walk. I'll say good-bye
to Miss Andrews for you.
_Barlow._ Thanks. Too late now. You said Billie wouldn't wait after
four-thirty.
_Yardsley._ Did I say four-thirty? I meant five-thirty. Anyhow, Billie
isn't over-prompt. Better go.
_Barlow._ You seem mighty anxious to get rid of me.
_Yardsley._ I? Not at all, my dear boy--not at all. I'm very, very fond
of you, but I thought you'd prefer opera to me. Don't you see? That's
where my modesty comes in. You're so fond of a good chat I thought you'd
want to go to-night. Wilkins has a box.
_Barlow._ You said seats a little while ago.
_Yardsley._ Of course I did. And why not? There are seats in boxes.
Didn't you know that?
_Barlow._ Look here, Yardsley, what's up, anyhow? You've been deuced
queer to-day. What are you after?
[Illustration: "WHAT'S UP, ANYHOW?"]
_Yardsley_ (_tragically_). Shall I confide in you? Can I, with a sense
of confidence that you will not betray me?
_Barlow_ (_eagerly_). Yes, Bob. Go on. What is it? I'll never give you
away, and I _may_ be able to give you some good advice.
_Yardsley._ I am here to--to--to rob the house! Business has been bad,
and one must live.
[_BARLOW looks at him in disgust._
_Yardsley_ (_mockingly_). You have my secret, John Barlow. Remember that
it was wrung from me in confidence. You must not betray me. Turn your
back while I surreptitiously remove the piano and the gas-fixtures,
won't you?
_Barlow_ (_looking at him thoughtfully_). Yardsley, I have done you an
injustice.
_Yardsley._ Indeed?
_Barlow._ Yes. Some one claimed, at the club, the other day, that you
were the biggest donkey in existence, and I denied it. I was wrong, old
man, I was wrong, and I apologize. You are.
_Yardsley._ You are too modest, Jack. You forget--yourself.
Public-domain text, read in full here on John Shaqi.
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