A Question of MarriageVaizey, George de Horne, Mrs.
General
A Question of Marriage
Vaizey, George de Horne, Mrs.
Single women -- Fiction
"No use, my dear. Her rheumatism's her own, and if it comes she will
bear it, but never my goloshes! A parent can be wise and prosy, and
expound the law; but he can't do more. If he tries, he loses instead of
gains. I shall school myself to the fact that my little girl is bound
to err, and that we are bound to suffer in consequence, she in deed, and
I in looking on. That's the price of being a mother. Then when she's
had her own way and been buffeted, she'll come to me and I'll help her.
Dear little girl!"
The lovely face was aglow with tenderness: it was easy to see that the
maternal instinct was strong in Jean's heart, and that she would rise to
her fullest height as wife and mother. The next moment she raised
herself, flashed an anxious look at Vanna's face, and deftly turned the
conversation.
"Well, anyway you'll see for yourself that Mrs Rendall's a trial. When
she and Miggles get started, don't interrupt--let them have it out by
themselves. Piers loves to listen, and so do I."
The next day an old-fashioned barouche bore the three ladies over
several miles of hilly roads to the square white mansion where the
widowed Mrs Rendall lived in peaceful seclusion from the world. After
the style of old-fashioned houses, it was situated in a hollow,
sheltered from the wind, but also cut off from a view of the surrounding
country. The entrance hall was bleak and uninteresting, the rooms, so
many big square boxes, furnished with Early Victorian heaviness, and an
astonishing absence of individuality. Vanna counted eleven little
tables in the drawing-room, each bearing a weight of senseless
ornaments. On the marble chimney-piece a pair of red glass "lustres," a
pair of Parian marble figures, male and female, were mathematically
arranged on each side of a Bohemian glass centre-piece, bearing a
medallion portrait of a simpering brunette. A bannerette of crimson
cross-stitch, on which was worked a cluster of steel-bead roses, hung
pendant from a brass rod; the water-colour paintings on the walls were
encircled by large white mounts; the drab carpet was garlanded with
flowers; in the air was the sweet, somewhat musty flavour of potpourri.
Mrs Rendall wore a large widow's cap on the top of a small grey head,
and was the sort of woman who is instinctively connected with a
shoulder-shawl and mittens. It was difficult to imagine her the mother
of the handsome man with the bright, irritable-looking eyes, who stood
by her side to welcome the guests on their arrival.
Public-domain text, read in full here on John Shaqi.
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