It was a beautiful night, that of the 22_d_ of July. Newport was at her
best. The morning had been oppressively warm, but along about three in
the afternoon a series of short and sharp electrical storms came, and as
quickly went, cooling the heated city, and freshening up the air until it
was as clear as crystal, and refreshing as a draught of cold
spring-water.
At the Howlett mansion on Bellevue Avenue all was in readiness for the
event. The caterer’s wagons had arrived with their dainty contents, and
had gone, and now the Hungarian band was sending forth over the cool
night air those beautiful and weird waves of melody which entrance the
most unwilling ear. About the broad and spacious grounds festooned
lights hung from tree to tree; here and there little rose-scented bowers
for _tête-à-tête_ talks were set; from within, streaming through the
windows in regal beauty, came the lights of the vast ballroom, the
reception-rooms, and the beautifully designed dining-hall—lately added by
young Morris Black, the architect, to Mrs. Howlett’s already perfect
house.
On the ballroom floor are some ten or twenty couples gracefully waltzing
to the strains of Sullivan, and in the midst of these we see Marguerite
Andrews threading her way across the room with some difficulty, attended
by Mr. and Mrs. Willard. They have just arrived. As Marguerite walks
across the hall she attracts every one. There is that about her which
commands attention. At the instant of her entrance Count Bonetti is on
the _qui Vive_.
“Py Chove!” he cries, as he leans gracefully against the doorway opening
into the conservatory. “Zare, my dear friend, zat iss my idea of ze
truly peautiful woman. Vat iss her name?”
“That is Miss Andrews of New York, Count,” the person addressed replies.
“She is up here with the Willards.”
“I musd meed her,” says the Count, his eye following Marguerite as she
walks up to Mrs. Howlett and is greeted effusively by that lady.
Marguerite is pale, and appears anxious. Even to the author the ways of
the women in his works are inscrutable; so upon this occasion. She is
pale, but I cannot say why. Can it be that she has an intuitive
knowledge that to-night may decide her whole future life? Who can tell?
Woman’s intuitions are great, and there be those who say they are
unerringly true. One by one, with the exception of Count Bonetti, the
young men among Mrs. Howlett’s guests are presented—Bonetti prefers to
await a more favorable opportunity—and to all Marguerite appears to be
the beautiful woman she is. Hers is an instant success. A new beauty
has dawned upon the Newport horizon.
Let us describe her as she stands.
Public-domain text, read in full here on John Shaqi.
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