(_Note_.—Stuart Harley has written this in the margin: “Here you have one
of the situations which finally compelled me to relinquish this story.
You know yourself how hard it is to make 30,000 words out of a slight
situation, and at the same time stick to probability. I had an idea, in
mapping out this chapter, that I could make three or four interesting
pages—interesting to the girls, mind you—out of a discussion of what they
should wear at the Howlett dance. It was a perfectly natural subject for
discussion at the time and under the circumstances. It would have been a
good thing in the book, too, for it might have conveyed a few wholesome
hints in the line of good taste in dress which would have made my story
of some value. Women are always writing to the papers, asking, ‘What
shall I wear here?’ and ‘What shall I wear there?’ The ideas of two
women like Mrs. Willard and Marguerite Andrews would have been certain to
be interesting, elevating, and exceedingly useful to such people, but the
moment I attempted to involve them in that discussion Miss Andrews
declined utterly to speak, and I was cut out of some six or seven hundred
quite important words. I had supposed all women alike in that matter,
but I find I was mistaken; one, at least, won’t discuss clothes—but I
don’t wonder that Mrs. Willard looked up in surprise. I put that in just
to please myself, for of course the whole incident would have had to be
cut out when the manuscript went to the type-setter.” The chapter takes
a new lead here, as follows:)
Mrs. Willard was punctiliously prompt in sending the acceptances of
herself and Mr. Willard to Mrs. Howlett, and at the same time
Marguerite’s acceptance was despatched, although she was at first
disposed to send her regrets. She was only moderately fond of those
inconsequent pleasures which make the life social. She was a good
dancer, but a more excellent talker, and she preferred talking to
dancing; but the inanity of what are known as stair talks at dances
oppressed her; nor did she look forward with any degree of pleasure to
what we might term conservatory confidences, which in these luxurious
days have become so large a factor in terpsichorean diversions, for
Marguerite was of a practical nature. She had once chilled the heart of
a young poet by calling Venice malarious (Harley little realized when he
wrote this how he would have suffered had he carried out his original
intention and transplanted Marguerite to the City of the Sea!), and a
conservatory to her was a thing for mid-day, and not for midnight. She
was therefore not particularly anxious to spend an evening—which began at
an aggravatingly late hour instead of at a reasonable time, thanks to a
social custom which has its foundation in nothing short of absolute
insanity—in the pursuit of nothing of greater value than dancing, stair
talks, and conservatory confidences; but Mrs. Willard soon persuaded her
that she ought to go, and go she did.
Public-domain text, read in full here on John Shaqi.
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