British -- Italy -- Fiction; England -- Fiction; Florence (Italy) -- Fiction; Humorous stories; Young women -- Fiction
She thought: “Oh, what have I done?”
“Oh, what have I done?” she murmured, and opened her eyes.
George Emerson still looked at her, but not across anything. She had
complained of dullness, and lo! one man was stabbed, and another held
her in his arms.
They were sitting on some steps in the Uffizi Arcade. He must have
carried her. He rose when she spoke, and began to dust his knees. She
repeated:
“Oh, what have I done?”
“You fainted.”
“I—I am very sorry.”
“How are you now?”
“Perfectly well—absolutely well.” And she began to nod and smile.
“Then let us come home. There’s no point in our stopping.”
He held out his hand to pull her up. She pretended not to see it. The
cries from the fountain—they had never ceased—rang emptily. The whole
world seemed pale and void of its original meaning.
“How very kind you have been! I might have hurt myself falling. But now
I am well. I can go alone, thank you.”
His hand was still extended.
“Oh, my photographs!” she exclaimed suddenly.
“What photographs?”
“I bought some photographs at Alinari’s. I must have dropped them out
there in the square.” She looked at him cautiously. “Would you add to
your kindness by fetching them?”
He added to his kindness. As soon as he had turned his back, Lucy arose
with the running of a maniac and stole down the arcade towards the
Arno.
“Miss Honeychurch!”
She stopped with her hand on her heart.
“You sit still; you aren’t fit to go home alone.”
“Yes, I am, thank you so very much.”
“No, you aren’t. You’d go openly if you were.”
“But I had rather—”
“Then I don’t fetch your photographs.”
“I had rather be alone.”
He said imperiously: “The man is dead—the man is probably dead; sit
down till you are rested.” She was bewildered, and obeyed him. “And
don’t move till I come back.”
In the distance she saw creatures with black hoods, such as appear in
dreams. The palace tower had lost the reflection of the declining day,
and joined itself to earth. How should she talk to Mr. Emerson when he
returned from the shadowy square? Again the thought occurred to her,
“Oh, what have I done?”—the thought that she, as well as the dying man,
had crossed some spiritual boundary.
He returned, and she talked of the murder. Oddly enough, it was an easy
topic. She spoke of the Italian character; she became almost garrulous
over the incident that had made her faint five minutes before. Being
strong physically, she soon overcame the horror of blood. She rose
without his assistance, and though wings seemed to flutter inside her,
she walked firmly enough towards the Arno. There a cabman signalled to
them; they refused him.
“And the murderer tried to kiss him, you say—how very odd Italians
are!—and gave himself up to the police! Mr. Beebe was saying that
Italians know everything, but I think they are rather childish. When my
cousin and I were at the Pitti yesterday—What was that?”
He had thrown something into the stream.
“What did you throw in?”
Public-domain text, read in full here on John Shaqi.
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