British -- Italy -- Fiction; England -- Fiction; Florence (Italy) -- Fiction; Humorous stories; Young women -- Fiction
“Things I didn’t want,” he said crossly.
“Mr. Emerson!”
“Well?”
“Where are the photographs?”
He was silent.
“I believe it was my photographs that you threw away.”
“I didn’t know what to do with them,” he cried, and his voice was that
of an anxious boy. Her heart warmed towards him for the first time.
“They were covered with blood. There! I’m glad I’ve told you; and all
the time we were making conversation I was wondering what to do with
them.” He pointed down-stream. “They’ve gone.” The river swirled under
the bridge, “I did mind them so, and one is so foolish, it seemed
better that they should go out to the sea—I don’t know; I may just mean
that they frightened me.” Then the boy verged into a man. “For
something tremendous has happened; I must face it without getting
muddled. It isn’t exactly that a man has died.”
Something warned Lucy that she must stop him.
“It has happened,” he repeated, “and I mean to find out what it is.”
“Mr. Emerson—”
He turned towards her frowning, as if she had disturbed him in some
abstract quest.
“I want to ask you something before we go in.”
They were close to their pension. She stopped and leant her elbows
against the parapet of the embankment. He did likewise. There is at
times a magic in identity of position; it is one of the things that
have suggested to us eternal comradeship. She moved her elbows before
saying:
“I have behaved ridiculously.”
He was following his own thoughts.
“I was never so much ashamed of myself in my life; I cannot think what
came over me.”
“I nearly fainted myself,” he said; but she felt that her attitude
repelled him.
“Well, I owe you a thousand apologies.”
“Oh, all right.”
“And—this is the real point—you know how silly people are
gossiping—ladies especially, I am afraid—you understand what I mean?”
“I’m afraid I don’t.”
“I mean, would you not mention it to any one, my foolish behaviour?”
“Your behaviour? Oh, yes, all right—all right.”
“Thank you so much. And would you—”
She could not carry her request any further. The river was rushing
below them, almost black in the advancing night. He had thrown her
photographs into it, and then he had told her the reason. It struck her
that it was hopeless to look for chivalry in such a man. He would do
her no harm by idle gossip; he was trustworthy, intelligent, and even
kind; he might even have a high opinion of her. But he lacked chivalry;
his thoughts, like his behaviour, would not be modified by awe. It was
useless to say to him, “And would you—” and hope that he would complete
the sentence for himself, averting his eyes from her nakedness like the
knight in that beautiful picture. She had been in his arms, and he
remembered it, just as he remembered the blood on the photographs that
she had bought in Alinari’s shop. It was not exactly that a man had
died; something had happened to the living: they had come to a
situation where character tells, and where childhood enters upon the
branching paths of Youth.
Public-domain text, read in full here on John Shaqi.
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