British -- Italy -- Fiction; England -- Fiction; Florence (Italy) -- Fiction; Humorous stories; Young women -- Fiction
“I’m not cynical. I’m only thinking of my pet theory about Miss
Honeychurch. Does it seem reasonable that she should play so
wonderfully, and live so quietly? I suspect that one day she will be
wonderful in both. The water-tight compartments in her will break down,
and music and life will mingle. Then we shall have her heroically good,
heroically bad—too heroic, perhaps, to be good or bad.”
Cecil found his companion interesting.
“And at present you think her not wonderful as far as life goes?”
“Well, I must say I’ve only seen her at Tunbridge Wells, where she was
not wonderful, and at Florence. Since I came to Summer Street she has
been away. You saw her, didn’t you, at Rome and in the Alps. Oh, I
forgot; of course, you knew her before. No, she wasn’t wonderful in
Florence either, but I kept on expecting that she would be.”
“In what way?”
Conversation had become agreeable to them, and they were pacing up and
down the terrace.
“I could as easily tell you what tune she’ll play next. There was
simply the sense that she had found wings, and meant to use them. I can
show you a beautiful picture in my Italian diary: Miss Honeychurch as a
kite, Miss Bartlett holding the string. Picture number two: the string
breaks.”
The sketch was in his diary, but it had been made afterwards, when he
viewed things artistically. At the time he had given surreptitious tugs
to the string himself.
“But the string never broke?”
“No. I mightn’t have seen Miss Honeychurch rise, but I should certainly
have heard Miss Bartlett fall.”
“It has broken now,” said the young man in low, vibrating tones.
Immediately he realized that of all the conceited, ludicrous,
contemptible ways of announcing an engagement this was the worst. He
cursed his love of metaphor; had he suggested that he was a star and
that Lucy was soaring up to reach him?
“Broken? What do you mean?”
“I meant,” said Cecil stiffly, “that she is going to marry me.”
The clergyman was conscious of some bitter disappointment which he
could not keep out of his voice.
“I am sorry; I must apologize. I had no idea you were intimate with
her, or I should never have talked in this flippant, superficial way.
Mr. Vyse, you ought to have stopped me.” And down the garden he saw
Lucy herself; yes, he was disappointed.
Cecil, who naturally preferred congratulations to apologies, drew down
his mouth at the corners. Was this the reception his action would get
from the world? Of course, he despised the world as a whole; every
thoughtful man should; it is almost a test of refinement. But he was
sensitive to the successive particles of it which he encountered.
Occasionally he could be quite crude.
“I am sorry I have given you a shock,” he said dryly. “I fear that
Lucy’s choice does not meet with your approval.”
“Not that. But you ought to have stopped me. I know Miss Honeychurch
only a little as time goes. Perhaps I oughtn’t to have discussed her so
freely with any one; certainly not with you.”
Public-domain text, read in full here on John Shaqi.
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