A Russian Proprietor, and Other StoriesTolstoy, Leo, graf
General
A Russian Proprietor, and Other Stories
Tolstoy, Leo, graf
Russia -- Social life and customs -- Fiction; Tolstoy, Leo, graf, 1828-1910 -- Translations into English
I drew nearer, and the strains became more distinct. At some distance I
could clearly distinguish the full accords of a guitar, sweetly swelling in
the evening air, and several voices, which, while taking turns with each
other, did not sing any definite theme, but gave suggestions of one in
places wherever the melody was most pronounced.
The theme was in somewhat the nature of a mazurka, sweet and graceful. The
voices sounded now near at hand, now far distant; now a bass was heard, now
a tenor, now a falsetto such as the Tyrolese warblers are wont to sing.
It was not a song, but the graceful masterly sketch of a song. I could not
comprehend what it was, but it was beautiful.
Those voluptuous, soft chords of the guitar, that sweet, gentle melody, and
that solitary figure of the man in black, amid the fantastic environment of
the lake, the gleaming moon, and the twin spires of the cathedral rising in
majestic silence, and the black tops of the poplars,--all was strange and
perfectly beautiful, or at least seemed so to me.
All the confused, arbitrary impressions of life suddenly became full of
meaning and beauty. It seemed to me as though a fresh fragrant flower had
sprung up in my soul. In place of the weariness, dulness, and indifference
toward every thing in the world, which I had been feeling the moment
before, I experienced a necessity for love, a fulness of hope, and an
unbounded enjoyment of life.
"What dost thou desire, what dost thou long for?" an inner voice seemed to
say. "Here it is. Thou art surrounded on all sides by beauty and poetry.
Breathe it in, in full, deep draughts, as long as thou hast strength. Enjoy
it to the full extent of thy capacity. 'Tis all thine, all blessed!"
I drew nearer. The little man was, as it seemed, a travelling Tyrolese. He
stood before the windows of the hotel, one leg a little advanced, his head
thrown back; and, as he thrummed on the guitar, he sang his graceful song
in all those different voices.
I immediately felt an affection for this man, and a gratefulness for the
change which he had brought about in me.
The singer, so far as I was able to judge, was dressed in an old black
coat. He had short black hair, and he wore a civilian's hat that was no
longer new. There was nothing artistic in his attire, but his clever and
youthfully gay motions and pose, together with his diminutive stature,
formed a pleasing and at the same time pathetic spectacle.
On the steps, in the windows, and on the balconies of the brilliantly
lighted hotel, stood ladies handsomely decorated and attired, gentlemen
with polished collars, porters and lackeys in gold-embroidered liveries; in
the street, in the semi-circle of the crowd, and farther along on the
sidewalk, among the lindens, were gathered groups of well-dressed waiters,
cooks in white caps and aprons, and young girls wandering about with arms
about each other's waists.
Public-domain text, read in full here on John Shaqi.
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