A Russian Proprietor, and Other StoriesTolstoy, Leo, graf
General
A Russian Proprietor, and Other Stories
Tolstoy, Leo, graf
Russia -- Social life and customs -- Fiction; Tolstoy, Leo, graf, 1828-1910 -- Translations into English
All, it seemed, were under the influence of the same feeling that I myself
experienced. All stood in silence around the singer, and listened
attentively. Silence reigned, except in the pauses of the song, when there
came from far away across the waters the regular click of a hammer, and
from the Freshenburg shore rang in fascinating monotone the voices of the
frogs, interrupted by the mellow, monotonous call of the quail.
The little man in the darkness, in the midst of the street, poured out his
heart like a nightingale, in couplet after couplet, song after song. Though
I had come close to him, his singing continued to give me greater and
greater gratification.
His voice, which was not of great power, was extremely pleasant and tender;
the taste and feeling for rhythm which he displayed in the control of it
were extraordinary, and proved that he had great natural gifts.
After he sung each couplet, he invariably repeated the theme in variation,
and it was evident that all his graceful variations came to him at the
instant, spontaneously.
Among the crowd, and above on the Schweitzerhof, and near by on the
boulevard, were heard frequent murmurs of approval, though generally the
most respectful silence reigned.
The balconies and the windows kept filling more and more with handsomely
dressed men and women leaning on their elbows, and picturesquely
illuminated by the lights in the house.
Promenaders came to a halt, and in the darkness on the quay stood men and
women in little groups. Near me, at some distance from the common crowd,
stood an aristocratic cook and lackey, smoking their cigars. The cook was
forcibly impressed by the music, and at every high falsetto note
enthusiastically nodded his head to the lackey, and nudged him with his
elbow with an expression of astonishment that seemed to say, "How he sings!
hey?"
The lackey, whose careless smile betrayed the depth of feeling that he
experienced, replied to the cook's nudges by shrugging his shoulders, as if
to show that it was hard enough for him to be made enthusiastic, and that
he had heard much better music.
In one of the pauses of his song, while the minstrel was clearing his
throat, I asked the lackey who he was, and if he often came there.
"Twice this summer he has been here," replied the lackey. "He is from
Aargau; he goes round begging."
"Well, do many like him come round here?" I asked.
"Oh, yes," replied the lackey, not comprehending the full force of what I
asked; but, immediately after, recollecting himself, he added, "Oh, no.
This one is the only one I ever heard here. No one else."
At this moment the little man had finished his first song, briskly twanged
his guitar, and said something in his German patois, which I could not
understand, but which brought forth a hearty round of laughter from the
surrounding throng.
"What was that he said?" I asked.
"He says that his throat is dried up, he would like some wine," replied the
lackey who was standing near me.
Public-domain text, read in full here on John Shaqi.
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