A Russian Proprietor, and Other StoriesTolstoy, Leo, graf
General
A Russian Proprietor, and Other Stories
Tolstoy, Leo, graf
Russia -- Social life and customs -- Fiction; Tolstoy, Leo, graf, 1828-1910 -- Translations into English
"What? is he rather fond of the glass?"
"Yes, all that sort of people are," replied the lackey, smiling and
pointing at the minstrel.
The minstrel took off his cap, and swinging his guitar went toward the
hotel. Raising his head, he addressed the ladies and gentlemen standing by
the windows and on the balconies, saying in a half-Italian, half-German
accent, and with the same intonation that jugglers use in speaking to their
audiences,--
"_Messieurs et mesdames, si vous croyez que je gagne quelque chose, vous
vous trompez: je ne suis qu'un pauvre tiaple._"
He stood in silence a moment, but as no one gave him any thing, he once
more took up his guitar and said,--
"_À présent, messieurs et mesdames, je vous chanterai l'air du Righi._"
His hotel audience made no response, but stood in expectation of the coming
song. Below on the street a laugh went round, probably in part because he
had expressed himself so strangely, and in part because no one had given
him any thing.
I gave him a few centimes, which he deftly changed from one hand to the
other, and bestowed them in his vest-pocket; and then, replacing his cap,
began once more to sing the graceful, sweet Tyrolese melody which he had
called _l'air du Righi_.
This song, which formed the last on his programme, was even better than the
preceding, and from all sides in the wondering throng were heard sounds of
approbation.
He finished. Again he swung his guitar, took off his cap, held it out in
front of him, went two or three steps nearer to the windows, and again
repeated his stock phrase,--
"_Messieurs et mesdames, si vous croyez que je gagne quelque chose_," which
he evidently considered to be very shrewd and witty; but in his voice and
motions I perceived a certain irresolution and childish timidity which were
especially touching in a person of such diminutive stature.
The elegant public, still picturesquely grouped in the lighted windows and
on the balconies, were shining in their rich attire; a few conversed in
soberly discreet tones, apparently about their singer who was standing
there below them with outstretched hand; others gazed down with attentive
curiosity on the little black figure; on one balcony could be heard the
merry, ringing laughter of some young girl.
In the surrounding crowd the talk and laughter grew constantly louder and
louder.
The singer for the third time repeated his phrase, but in a still weaker
voice, and did not even end the sentence; and again he stretched his hand
with his cap, but instantly drew it back. Again not one of those
brilliantly dressed scores of people standing to listen to him threw him a
penny.
The crowd laughed heartlessly.
The little singer, so it seemed to me, shrunk more into himself, took his
guitar into his other hand, lifted his cap, and said,--
"_Messieurs et mesdames, je vous remercie, et je vous souhais une bonne
nuit._" Then he put on his hat.
Public-domain text, read in full here on John Shaqi.
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