But still the siren song rings in his ears. The maidens who had come
upon the scene with Dalila (are they priestesses of Dagon?) dance,
swinging their floral garlands seductively before the eyes of Samson
and his followers. The hero tries to avoid the glances which Dalila,
joining in the dance, throws upon him. It is in vain; his eyes follow
her through all the voluptuous postures and movements of the dance.
[figure: a musical score excerpt]
And Dalila sings "Printemps qui commence"--a song often heard in
concert-rooms, but not so often as the air with which the love-duet in
the second act reaches its culmination, which is popularly held also to
mark the climax of the opera. That song is wondrously insinuating in
its charm; it pulsates with passion, so much so, indeed, that it is
difficult to conceive that its sentiments are feigned, but this is
lovelier in its fresh, suave, graceful, and healthy beauty:--
[figure: a musical score excerpt, sung to the words "The Spring with
her dower of bird and flower, brings hope in her train."]
As Dalila leaves the scene her voice and eyes repeat their lure, while
Samson's looks and acts betray the trouble of his soul.
It is not until we see and hear Dalila in the second act that she is
revealed to us in her true character. Not till now does she disclose
the motives of her conduct toward her lover. Night is falling in the
valley of Sorek, the vale which lies between the hill country which the
Israelites entered from the East, and the coast land which the
Philistines, supposedly an island people, invaded from the West.
Dalila, gorgeously apparelled, is sitting on a rock near the portico of
her house. The strings of the orchestra murmur and the chromatic figure
which we shall hear again in her love-song coos in the wood-winds:
[figure: a musical score excerpt]
She awaits him whom passion has made her slave in full confidence of
her hold upon him.
Samson, recherchant ma presence,
Ce soir doit venir en ces lieux.
Voici l'heure de la vengeance
Qui doit satisfaire nos dieux!
Amour! viens aider ma faiblesse!
The vengeance of her gods shall be glutted; it is to that end she
invokes the power of love to strengthen her weakness. A passion like
his will not down--that she knows. To her comes the High Priest:
Samson's strength, he says, is supernatural and flows from a vow with
which he was consecrated to effect the glory of Israel. Once while he
lay in her arms that strength had deserted him, but now, it is said, he
flouts her love and doubts his own passion. There is no need to try to
awaken
[figure: a musical score excerpt]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account