A Select Collection of Valuable and Curious Arts and Interesting Experiments,: Which are Well Explained and Warranted Genuine and may be Performed Easily, Safely, and at Little Expense. — John Shaqi
A Select Collection of Valuable and Curious Arts and Interesting Experiments,: Which are Well Explained and Warranted Genuine and may be Performed Easily, Safely, and at Little Expense.Unknown
Science
A Select Collection of Valuable and Curious Arts and Interesting Experiments,: Which are Well Explained and Warranted Genuine and may be Performed Easily, Safely, and at Little Expense.
Unknown
Formulas, recipes, etc.; Workshop recipes
68. TO CAST IMAGES IN PLASTER.--For this purpose a model of the figure
that is to be cast, must be provided, and suspended by a rod or staff,
one inch in diameter, and fixed in the top of the head. This model may
be made of wood, chalk, or any other substance that is smooth, and
sufficiently cohesive to support itself. This being prepared, mix fine
sulphate of lime with water, to the consistence of soft putty, and
having brushed some olive oil over the model, cover it completely with
the plaster, which must be applied, and spread over it with the hands,
to the depth of two inches or more. When the plaster is nearly dry,
divide it into several parts with a thin blade, so as to take it off
from the model without breaking any part. When the several parts of
the mould are dry, oil them inside and put them together as before,
and bind them with pieces of tape or twine; set the mould upright, and
fill it with a fresh mixture of sulphate of lime and water, of as much
consistence as may be poured in through the aperture at the head. This
plaster should be poured into the mould as quick as possible after
being mixed; otherwise it would become too stiff, and be spoiled. The
plaster in the mould will soon cohere, so that the mould may be taken
off, and the figures may be set up to dry; and the mould being oiled
and put together again, is ready for another cast.
69. TO PRODUCE EMBOSSED LETTERS, OR FIGURES ON MARBLE.--Take some of
the coloured varnish described at 37, and with a hair pencil, draw the
letters, &c. on the marble, (which should be previously well
polished,) and also cover with the varnish, every part of the face of
the marble that is to remain plain. Lay the marble in a horizontal
position and make a border of oil putty round it, and pour on muriatic
acid to the depth of half an inch on the marble. When ebulition
ceases, the acid may be drained off, and the work examined; and if the
letters are not sufficiently prominent, a fresh quantity of the acid
may be added. When the work has been thus corroded to the depth
required, the varnish may be washed off with spirits of turpentine.
The acid that has been thus employed need not be lost, for a muriate
of lime being thus formed, may be crystallized by a slight
evaporation, and preserved for other purposes; or by the addition of a
small quantity of sulphuric acid a sulphate of lime is precipitated,
and the muriatic may be poured off and be used again for the same or a
similar purpose.
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