[18] It may appear to my readers somewhat strange that in this case the words "Pray for the soul" and "May God have mercy, &c." are intact. Until 1898 this chantry had a boarded floor above the slab, the fillet round not being visible. The figure itself with label was affixed to a board and placed in the vestry for those who cared to inspect it. When the floor was removed the Brass was placed in its proper place on the slab and the whole inscription could then be seen. There are the matrixes of four coats of arms. Probably they were King's, Eton, the University, and Argentine's own coat, which was gules, three covered cups argent. At the upper corners of the fillet are the evangelistic emblems of St. Matthew and St. John, while those of St. Mark and St. Luke, which were evidently at the bottom, have been taken away. Conclusion LIKE human beings, the chapel has received well-merited praise from many, while some have used their knowledge (or want of it) to criticise. Fuller speaks of it "as one of the rarest fabricks in Christendom, wherein the stonework, woodwork, and glasswork contend which shall deserve most admiration." To quote Carter again: "It is entitled to be ranked with the finest buildings of the world," although he further goes on to say: "The exterior aspect is perhaps justly open to some criticism, but it has received unqualified abuse at the hands of some writers." Ruskin was very severe, comparing it to a billiard table, turned upside down, the four corner turrets being the four legs; but he afterwards, it is said, retracted. The late Rev. Augustus Austen Leigh, Provost of the College from 1888 to 1905, in writing a history of the College, says: "Like other really great works, King's Chapel produces an impression which is instantaneous, and at the same time permanent. It does not disarm criticism, but it compels admiration. And if anyone is inclined to criticise, let him look at the exterior on a moonlight night from the south side of the Quadrangle, or from the top of Trinity Street, or let him take his stand within the ante-chapel at the northwest corner on a bright summer's day, and cast his eye along the coloured glass and stone vaulting till he catches a part of the east window rising above the stately rood-loft; and if he does not feel that there is an inspiration in the building which is above criticism, he must be a man that hath no music in himself." I cannot end this brief sketch better than by quoting Wordsworth's two famous sonnets on King's College Chapel:--