A Short Essay Toward the Improvement of Psalmody: Or, An Enquiry How the Psalms of David Ought to Be Translated into Christian Songs, and How Lawful and Necessary It Is to Compose Other Hymns According to the Clearer Revelations of the Gospel, for the Use of the Christian Church.Watts, Isaac
Religion
A Short Essay Toward the Improvement of Psalmody: Or, An Enquiry How the Psalms of David Ought to Be Translated into Christian Songs, and How Lawful and Necessary It Is to Compose Other Hymns According to the Clearer Revelations of the Gospel, for the Use of the Christian Church.
Watts, Isaac
Psalmody
I esteem the Book of _Psalms_ the most valuable Part of the Old
Testament upon many Accounts: I advise the Reading and Meditation of it
more frequently than any single Book of Scripture; and what I advise I
practise. Nothing is more proper to furnish our Souls with devout
Thoughts, and lead us into a World of Spiritual Experiences: The
Expressions of it that are not _Jewish_ or peculiar, give us constant
Assistance in Prayer and in Praise: But yet if we would prepare
_David_'s Psalms to be sung by Christian Lips, we should, observe these
two plain Rules.
_First_, They ought to be translated its such a Manner as we have
reason to believe _David_ would have compos'd 'em if he had lived in
our Day: And therefore his Poems are given as a Pattern to be imitated
in our Composures, rather than as the precise and invariable Matter of
our Psalmody. 'Tis one of the Excellencies of Scripture-Songs, that
they {253} are exactly suited to the very Purpose and Design for which
they were written, and that both in the Matter, in the Stile, and in
all their Ornaments: This gives Life and Strength to the Expression, it
presents Objects to the Ears and to the Eyes, and touches the Heart in
the most affecting Manner. _David_'s Language is adapted to his own
Devotion, and to the Worship of the _Jewish_ Church; he mentions the
very Places of his Journies, or Retirements, of his Sorrows, or his
Successes; He names the Nations that were Enemies of the Church, or
that shall be its Friends and tho for the most part he leaves the
single Persons of his Time nameless in the Body of his Psalm, yet he
describes them there with great Particularity, and often names them in
the Title. This gives us abundant Ground to infer, that should the
_Sweet-Singer of Israel_ return from the Dead into our Age, he would
not sing the Words of his own Psalms without considerable Alteration;
and were he now to transcribe them, he would make them speak the
present Circumstances of the Church, and that in the Language of the
New Testament: He would see frequent Occasion to insert the Cross of
Christ in his Song, and often interline the Confessions of his Sins
with the Blood of the Lamb; often would he describe the Glories and the
Triumphs of our blessed Lord in long and flowing Verse, even as St.
_Paul_, when he mentions the Name and Honours of Christ can hardly part
his Lips from 'em again: {254} His Expressions would run ever bright
and clear; such as here and there we find in a single Verse of his old
Composures, when he is transported beyond himself, and carried far away
from _Jewish_ Shadows by the Spirit of Prophecy and the Gospel. We have
the more abundant Reason to believe this, if we observe, that all along
the sacred History as the Revelations of God and his Grace were made
plainer, so the Songs of the Saints express'd that Grace and those
Revelations according to the Measure of their Clearness and Increase.
Let us begin at the Song of _Moses_, Exod. 15. and proceed to _David_
Public-domain text, read in full here on John Shaqi.
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