A short history of architectureTuckerman, Arthur Lyman
History
A short history of architecture
Tuckerman, Arthur Lyman
Architecture -- History
To the latter may be attributed the chief architectural works of the
country; the ancient Etruscan walled cities resembling, in their general
construction, those of Tiryns and Mycenæ.
Judging from the remains found upon the soil at the present day, the
Etruscans used their knowledge of the laws of building principally in the
erection of tombs. Of temples there now remain no traces; but, according
to Vitruvius, they were composed, as a rule, of the rectangular chamber,
or cella, of the Greeks, which was divided into three parts, and preceded
by a porch of Tuscan columns. The origin of the latter he describes as
follows:
“The Greek colonists, having brought to Etruria, the Tuscany of to-day,
their acquaintance with the proportions of the Doric order, which was the
only one as yet used in Greece, they employed this order there during a
long period, in the same manner as in the country where it originated;
but finally they changed it in several respects; they lengthened the
column, and added a base to it; they altered the capital, simplified the
entablature, and, thus changed, it was adopted by the Romans, under the
name of the Tuscan order.”
Etruscan tombs varied with the nature of the districts in which they were
erected. In the flat portions of the country they consisted usually of an
earthen cone raised upon a circular foundation of masonry, with one or
more chambers within for the reception of the dead. The largest of these
tumuli was that called the Cucumella, at Vulci.
In the mountains, where material was abundant, it was customary to bury
the dead in a square stone chamber, surmounted by a pyramidal roof, and
entered by a doorway ornamented with the Greek architrave. There are
several examples of these at Castel d’Asso.
A third form of sepulchre was the hypogee, or underground tomb, the
entrance to which was marked by a colonnade of the Tuscan order,
carved in the face of the rock; the interior apartment being usually
rectangular, and reached by a staircase. The walls were decorated with
paintings, and the tomb filled with vases, tripods, arms, and other
votive offerings. The body was generally either placed in a stone
sarcophagus or laid upon a bronze bed. The ceilings in the older tombs
were either flat, being cut in the natural rock, with piers left as
supports, and ornamented with sunken panels, or constructed
of inclined slabs, resting against and sustaining each other.
The corbelled vaults, similar to those of Mycenæ, were employed for
a considerable number of these buildings, but were subsequently
relinquished for vaults of voussoirs, or wedge-shaped stones. The
invention of the semicircular vault, the joints of which converge to a
common centre, was long attributed to the Etruscans, but we have seen
that recent discoveries have shown that it was already in use in Egypt
and Assyria many centuries before.
This principle, however, was the chief feature of Etruscan architecture,
and its great legacy to succeeding styles.
Public-domain text, read in full here on John Shaqi.
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