Belgium -- History; World War, 1914-1918 -- Belgium
As to the Romance literary movement, its productions were to be found
in those regions where trade and industry tended to the increase of
wealth. Luxemburg did not produce anything and Liège very little; in
the latter city, moreover, the persons in the entourage of the bishop
were largely German or Flemish. Romance literature flourished in
Flanders, Brabant, and Hainaut; it was written in Picard, the original
dialect that the writers themselves preferred, in opposition, so to
speak, to French. The literature in question consisted partly of
translations into the vernacular of Latin works written on science,
partly of historical productions, and partly of poetry. The historical
_genre_ was much cultivated, but was more and more limited to castles
and convents. Although the burgesses of the communes, eager to know as
much as possible, found interest and pleasure in the historical writers
(and it may be pointed out that the valuable chronicle of Philip
Mousket was composed, about 1240, for the townspeople of Tournai),
the citizens of the communes preferred the new _genre_ introduced in
literature, the _poésie bourgeoise_, wherein animals played a large
part as personages; the _épopée_ of _Rinehart the Fox_ is particularly
famous.
The rich development of Romance literature in Flanders and Hainaut
prevented to some extent the early birth of an original and independent
Flemish literature. Flemish literature had modest origins: it
consisted at first merely of translations from the French, but it
is highly interesting to note that it was through the intermediary
of Flemish translations that French productions were introduced into
Germany. The _Legend of Saint Servais_ and the _Enéide_, composed by
the Flemish knight, Hendrik Van Veldeke, following Latin sources,
enjoyed an immense success and were promptly imitated in Germany.
The French version of _Rinehart the Fox_ was adapted in Flemish by a
certain William, who surpassed his model, localized the story to the
neighborhood of Ghent and the country of Waes, and gave to his work a
real Flemish color.
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