William asserted that the Confessor, in the course of that connection which followed naturally from his Norman education, had promised the English crown to the holder of the Norman dukedom. Whether he did or not we shall probably never know: it is not intrinsically impossible or even improbable. To blame the promise as unpatriotic, even if it was given, is to read duties defined at a much later date into the first feudal chaos; to make such blame positive and personal is like expecting the Ancient Britons to sing "Rule Britannia." William further clinched his case by declaring that Harold, the principal Saxon noble and the most probable Saxon claimant, had, while enjoying the Duke's hospitality after a shipwreck, sworn upon sacred relics not to dispute the Duke's claim. About this episode also we must agree that we do not know; yet we shall be quite out of touch with the time if we say that we do not care. The element of sacrilege in the alleged perjury of Harold probably affected the Pope when he blessed a banner for William's army; but it did not affect the Pope much more than it would have affected the people; and Harold's people quite as much as William's. Harold's people presumably denied the fact; and their denial is probably the motive of the very marked and almost eager emphasis with which the Bayeux Tapestry asserts and reasserts the reality of the personal betrayal. There is here a rather arresting fact to be noted. A great part of this celebrated pictorial record is not concerned at all with the well-known historical events which we have only to note rapidly here. It does, indeed, dwell a little on the death of Edward; it depicts the difficulties of William's enterprise in the felling of forests for shipbuilding, in the crossing of the Channel, and especially in the charge up the hill at Hastings, in which full justice is done to the destructive resistance of Harold's army. But it was really after Duke William had disembarked and defeated Harold on the Sussex coast, that he did what is historically worthy to be called the Conquest. It is not until these later operations that we have the note of the new and scientific militarism from the Continent. Instead of marching upon London he marched round it; and crossing the Thames at Wallingford cut off the city from the rest of the country and compelled its surrender. He had himself elected king with all the forms that would have accompanied a peaceful succession to the Confessor, and after a brief return to Normandy took up the work of war again to bring all England under his crown. Marching through the snow, he laid waste the northern counties, seized Chester, and made rather than won a kingdom. These things are the foundations of historical England; but of these things the pictures woven in honour of his house tell us nothing. The Bayeux Tapestry may almost be said to stop before the Norman Conquest. But it tells in great detail the tale of some trivial raid into Brittany solely