The land on which we live once had the highly poetic privilege of being the end of the world. Its extremity was _ultima Thule_, the other end of nowhere. When these islands, lost in a night of northern seas, were lit up at last by the long searchlights of Rome, it was felt that the remotest remnant of things had been touched; and more for pride than possession. The sentiment was not unsuitable, even in geography. About these realms upon the edge of everything there was really something that can only be called edgy. Britain is not so much an island as an archipelago; it is at least a labyrinth of peninsulas. In few of the kindred countries can one so easily and so strangely find sea in the fields or fields in the sea. The great rivers seem not only to meet in the ocean, but barely to miss each other in the hills: the whole land, though low as a whole, leans towards the west in shouldering mountains; and a prehistoric tradition has taught it to look towards the sunset for islands yet dreamier than its own. The islanders are of a kind with their islands. Different as are the nations into which they are now divided, the Scots, the English, the Irish, the Welsh of the western uplands, have something altogether different from the humdrum docility of the inland Germans, or from the _bon sens francais_ which can be at will trenchant or trite. There is something common to all the Britons, which even Acts of Union have not torn asunder. The nearest name for it is insecurity, something fitting in men walking on cliffs and the verge of things. Adventure, a lonely taste in liberty, a humour without wit, perplex their critics and perplex themselves. Their souls are fretted like their coasts. They have an embarrassment, noted by all foreigners: it is expressed, perhaps, in the Irish by a confusion of speech and in the English by a confusion of thought. For the Irish bull is a license with the symbol of language. But Bull's own bull, the English bull, is "a dumb ox of thought"; a standing mystification in the mind. There is something double in the thoughts as of the soul mirrored in many waters. Of all peoples they are least attached to the purely classical; the imperial plainness which the French do finely and the Germans coarsely, but the Britons hardly at all. They are constantly colonists and emigrants; they have the name of being at home in every country. But they are in exile in their own country. They are torn between love of home and love of something else; of which the sea may be the explanation or may be only the symbol. It is also found in a nameless nursery rhyme which is the finest line in English literature and the dumb refrain of all English poems--"Over the hills and far away."