A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
_4ly._ And which is still more extraordinary: the _Prologues_, and
_Epilogues_ are sometimes Scandalous to the last degree.[9] I shall
discover them for once, and let them stand like Rocks in the Margin. Now
here properly speaking the _Actors_ quit the _Stage_, and remove from
Fiction, into Life. Here they converse with the _Boxes_, and _Pit_, and
address directly to the Audience. These Preliminarie and concluding Parts,
are design'd to justify the Conduct of the _Play_, and bespeak the Favour
of the Company. Upon such Occasions one would imagine if ever, the Ladys
should be used with Respect, and the Measures of Decency observ'd, But here
we have Lewdness without Shame or Example: Here the _Poet_ exceeds himself.
Here are such Strains as would turn the Stomach, of an ordinary Debauchee,
and be almost nauseous in the _Stews_. And to make it the more agreeable,
Women are Commonly pick'd out for this Service. Thus the _Poet_ Courts the
good opinion of the Audience. This is the Desert he regales the Ladys with
at the Close of the Entertainment: It seems He thinks They have admirable
Palats! Nothing can be a greater Breach of Manners then such Liberties as
these. If a Man would study to outrage _Quality_ and Vertue, he could not
do it more Effectually. But
_5thly._ Smut is still more insufferable with respect to Religion. The
Heathen Religion was in a great Measure a _Mystery_ of _Iniquity_. Lewdness
was Consecrated in the Temples, as well as practised in the _Stews_. Their
Deitys were great Examples of Vice, and worship'd with their own
Inclination. 'Tis no wonder therefore their Poetry should be tinctured with
their Belief, and that the _Stage_ should borrow some of the Liberties of
their Theology. This made _Mercurys_ Procuring, and _Jupiters_ Adultery the
more passable in _Amphitrion_[10]: Upon this Score _Gymnasium_[11] is less
Monstrous in Praying the Gods to send her store of Gallants. And thus
_Chæræa_[12] defends his Adventure by the Precedent of _Jupiter_ and
_Danæ_. But the Christian Religion is quite of an other Complexion. Both
its Precepts, and Authorities, are the highest discouragement to
Licentiousness. It forbids the remotest Tendencies to Evil, Banishes the
Follies of Conversation, and Obliges up to Sobriety of Thought. That which
might pass for Raillery, and Entertainment in Heathenism, is detestable in
Christianity. The Restraint of the Precept, and the Quality of the Deity,
and the Expectations of Futurity quite alter the Case.
But notwithstanding the Latitudes of Paganism, the Roman and Greek
_Theatres_ were much more inoffensive than ours. To begin with _Plautus_.
This Comedian, tho' the most exceptionable, is modest upon the Comparison.
For
_1st._ He rarely gives any of the above mention'd Liberties to Women; And
when there are any Instances of the contrary, 'tis only in prostituted and
Vulgar People; And even these, don't come up to the Grossness of the
_Modern Stage_.
Public-domain text, read in full here on John Shaqi.
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