A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
For the Purpose. _Cleæreta_[13] the Procuris borders a little upon
Rudeness: _Lena_[14] and _Bacchis_[15] the Strumpet are Airy and somewhat
over-merry, but not _A l'Anglois_ obscene. _Chalinus_[16] in Womans Cloaths
is the most remarkable. _Pasicompa Charinus_ his Wench talks too freely to
_Lysimachus_;[17] And so does _Sophroclidisca_ _Slave_ to
_Lemnoselene_.[18] And lastly: _Phronesiam_ a Woman of the _Town_ uses a
double entendre to _Stratophanes_.[19] These are the most censurable
Passages, and I think all of them with relation to Women; which considering
how the World goes is very moderate. Several of _our_ Single _Plays_ shall
far out-do all This put together. And yet _Plautus_ has upon the matter
left us 20 entire _Comedies_. So that in short, these Roman Lasses are meer
_Vestal Virgins_, comparatively speaking.
_2ly._ The _Men_ who talk intemperately are generally _Slaves_; I believe
_Dordalus_[20] the Pandar, and _Lusiteles_[21] will be found the only
exception: And this latter young Gentleman; drops but one over airy
expression: And for this Freedom, the Poet seems to make him give
Satisfaction in the rest of his Character. He disputes very handsomly by
himself against irregular Love; The Discourse between him and _Philto_ is
instructive and well managed.[22] And afterwards he gives _Lesbonicus_ a
great deal of sober advice,[23] and declaims heartily against Luxury and
Lewdness! Now by confining his Rudeness to little People, the Fault is much
extenuated. For First, the representation is more Naturally this way; And
which is still better, 'tis not so likely to pass into Imitation: Slaves
and Clowns are not big enough to spread Infection; and set up an ill
Fashion. 'Tis possible the _Poet_ might contrive these _Pesants Offensive_
to discountenance the Practise. Thus the _Heilots_ in _Sparta_ were made
drunk to keep Intemperance out of Credit. I don't mention this as if I
approv'd the Expedient, but only to show it a circumstance of Mitigation
and Excuse.
Farther, These _Slaves_ and Pandars, Seldom run over, and play their
Gambols before Women. There are but Four Instances of this Kind as I
remember, _Olympio_,[24] _Palæstrio_,[25] _Dordalus_,[26] and
_Stratilax_[27] are the Persons. And the Women they discourse with, are two
of them Slaves, and the third a Wench. But with our _Dramatists_, the case
is otherwise. With us _Smuttiness_ is absolute and unconfin'd. 'Tis under
no restraint, of Company, nor has any regard to Quality or Sex. Gentlemen
talk it to Ladies, and Ladies to Gentlemen with all the Freedom, and
Frequency imaginable. This is in earnest to be very hearty in the cause! To
give Title and Figure to Ill Manners is the utmost that can be done. If
Lewdness will not thrive under such encouragement it must e'en Miscarry!
Public-domain text, read in full here on John Shaqi.
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