A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
_Terence_ appear'd when Breeding was more exact, and the _Town_ better
polish'd; And he manages accordingly: He has[30] but one faulty bordering
Expression, which is that of _Chremes_ to _Clitipho_. This single Sentence
apart, the rest of his Book is (I think) unsullied and fit for the nicest
Conversation. I mean only in referrence to the Argument in Hand, for there
are things in Him, which I have no intention to warrant. He is Extreamly
careful in the Behaviour of his Women. Neither _Glycerium_ in _Andria_,
_Pamphila_ in _Eunuchus_, or _Pamphila_ in _Adelphi_, _Phanium_ in
_Phormio_, or _Philumena_ in _Hecyra_, have any share of Conversation upon
the _Stage_. such Freedom was then thought too much for the Reservedness of
a Maiden-Character. 'Tis true in _Heautontimoroumenos_ the _Poets_ Plot
obliged _Antiphila_, to go under the Disguise of _Bacchis_ her Maid. Upon
this Occasion they hold a little Discourse together. But then _Bacchis_
tho' she was a Woman of the _Town_, behaves her self with all the Decency
imaginable. She does not talk in the Language of her Profession. But
commends _Antiphila_ for her Virtue: _Antiphila_ only says how constant she
has been to _Chinia_, seems surprised at his Arrival, and salutes him
civilly upon't, and we hear no more from her. Mr. _Dryden_ seems to refer
to this Conduct in his Dramatick _Poesie_. He censures the _Romans_ for
making _Mutes_ of their single Women. This He calls the _Breeding of the
Old_ Elizabeth _way, which was for Maids to be seen and not to be heard_.
Under Favour the old Discipline would be very serviceable upon the _Stage_.
As matters go, the _Mutes_ are much to few. For certainly 'tis better to
say nothing, than talk out of Character, and to ill purpose.
To return. The Virgin injured by _Chærea_ does nothing but weep, and won't
so much as speak her misfortune to the Women.[31] But Comedy is strangly
improved since that time; For _Dalinda_[32] has a great deal more Courage,
tho' the loss of her Virtue was her own Fault.
But _Terence_ has that regard for Women, that he won't so much as touch
upon an ill Subject before them. Thus _Chremes_ was ashamed to mention any
thing about his Sons Lewdness when his Wife was present.
_Pudet dicere hac præsente verbum turpe._[33]
The Slaves in this Comedian are kept in order and civilly bred. They Guard
and Fence when occasion requires, and step handsomly over a dirty
place.[34] The Poet did not think Littleness and low Education a good
Excuse for Ribaldry. He knew Infection at the weakest, might seize on some
Constitutions: Besides, the Audience was a Superior Presence, and ought to
be considered. For how Negligent soever People may be at Home, yet when
they come before their Betters 'tis Manners to look wholsom.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account