A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument — John Shaqi
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
Let us now Travel from _Italy_ into _Greece_, and take a view of the
Theatre at _Athens_. In this City the _Stage_ had both its beginning and
highest Improvement. _Æschylus_ was the first who appear'd with any
Reputation. His Genius seems noble, and his Mind generous, willing to
transfuse it self into the Audience, and inspire them with a Spirit of
Bravery. To this purpose his Stile is Pompous, Martial, and Enterprizing.
There is Drum and Trumpet in his Verse. 'Tis apt to excite an Heroick
Ardour, to awaken, warm, and push forward to Action. But his Mettal is not
always under Management. His Inclination for the _Sublime_; carrys him too
far: He is sometimes Embarrass'd with _Epithites_. His Metaphors are too
stiff, and far fetch'd; and he rises rather in Sound, than in Sence.
However generally speaking, his Materials are both shining and solid, and
his Thoughts lofty, and uncommon. This Tragedian had always a nice regard
to Good Manners. He knew corrupting the People was the greatest disservice
to the Commonwealth; And that Publick Ruine was the effect of general
Debauchery. For this reason he declines the Business of Amours, and
declares expresly against it.[45] Now here we can't expect any length of
Testimony. His aversion to the subject makes him touch very sparingly upon
it. But in this case there is no need of much citation. His very Omissions
are Arguments, and his Evidence is the stronger for being short. That
little I meet with shall be produced.
_1st._ Orestes was obliged by the Oracle to revenge his Fathers Death in
the Murther of his Mother.[46] When he was going to kill her, he Mentions
her Cruelty, but waves her Adultery. _Euripides_ approv'd this Reservedness
and makes his _Electra_ practise it upon the same occasion.[47] _Æschylus_
in his next Play complements his Country with a great deal of Address in
the Persons of the _Eumenides_.[48] They are very Gentile and Poetical in
their Civilities: Among other things They wish the Virgins may all Marry
and make the Country Populous: Here the _Poet_ do's but just glance upon
the Subject of Love; and yet he governs the Expression with such care, that
the wishes contain a Hint to Sobriety, and carry a Face of Virtue along
with them.
The _Double Dealer_ runs Riot upon such an Occasion as this; and gives Lord
_Touchwood_ a mixture of Smut and Pedantry to conclude with,[49] and yet
this Lord was one of his best Characters: But _Poets_ are now grown
Absolute within themselves, and may put Sence and Quality upon what
Drudgeries they please. To return. _Danaus_ cautions his Daughters very
handsomly in point of Behaviour. They were in a strange Country, and had
Poverty and Dependance to struggle with: These were circumstances of
Danger, and might make him the more pressing. He leaves therefore a solemn
Charge with them for their Security, bids them never to subsist upon
Infamy, but to prefer their Virtue to their Life.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account