A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
it any wonder an Atheist should misbehave himself in point of Modesty? What
can we expect less from those who laugh at the Being of a God, at the
Doctrines of Providence, and the Distinctions of Good and Evil? A
_Sceptick_ has no notion of Conscience, no Relish for Virtue, nor is under
any Moral restraints from Hope or Fear. Such a one has nothing to do but to
consult his Ease, and gratifie his Vanity, and fill his Pocket. But how
these Ends are compassed, he has no squeamishness, or Scruples about it.
'Tis true when the Methods of Lewdness will Take, they are generally most
agreeable. This way suits their Talent, and screens their practise, and
obliges their Malice. For nothing is a greater Eye-sore to these Men, then
Virtue and Regularity. What a pleasure is it then to be admired for
Mischeif, to be reveng'd on Religion, and to see Vice prosper and improve
under our Hands! To return: Beside _Aristophanes_ Atheisme, I have a Second
objection to his Authority, and that is want of Judgment. If we examine his
_Plays_ we shall find his Characters improper, or ununiform; either wrong
at first, or unsteady in the Right. For the purpose. In his _Nubes. A. 3.
S. 3. p. 146. 150_. He puts dirty expressions in the Mouth of his Man of
Probity, makes him declaim vitiously against Vice, and Corrects scurrility
with Impudence; Now what can be more idle and senceless, than such Conduct
as this? Epecially when this _Justus_ as he calls him had told them in the
beginning of his speech, that People used to be well slash'd for such
Fooling, when Government and Discipline were in their due Force. The
_Chorus_ of his _Ranæ_ slides[82] into the same Inconsistency of Precept,
and Practise. Farther, in the Progress of this _Play_; _Æschylus_ falls a
rallying contrary to his Humour, and jests away his own Arguments at a very
unseasonable Juncture, when he was disputing for no less prize than the
Laureatship. This _Tragedian_ after he had play'd a little with the Story
of _Bellerophon_,[83] goes on in the same strain; And charges _Euripides_
that he had furnish'd all sorts of People with Sawciness and Prattle. The
_Schools_ and _Academies_ were spoil'd by this means; So that the Boys were
often whip'd, and the Boatswains drubb'd, for their Chattering.[84] These
Comical Levities come with an ill Grace from _Æschylus_. His Character was
quite different both in Reality, and in the _Play_ before us. He is all
along represented as a Person of a serious Temper, of a reserv'd Loftiness,
Cholerick, and tender of his Honour to an Excess, and almost in a rage at
the Affront of a Rival, and being forc'd to enter the Lists with
_Euripides_. The case standing thus, neither the Man, nor the Business,
would admit of Drolling. Another Instance of his want of Conduct we have in
his _Concionatores_. Here _Blepyrus_ and some others of his Legislative
Assembly, talk at a very dirty insipid rate. The Lowest of the _Mob_, can
hardly jest with less Wit, and more Lewdness.
Public-domain text, read in full here on John Shaqi.
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