A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
_No Undermirth such as does lard the Scene,
For Coarse Delight, the Language here is clean.
And confident our Poet bad me say,
He'll bate you but the Folly of a Play.
For which altho' dull Souls his Pen despise;
Who think it yet too early to be wise.
The Nobles yet will thank his Muse, at least
Excuse him, cause his Thought aim'd at the Best._
Thus these _Poets_ are in their Judgments clearly ours. 'Tis true their
Hand was not always steady. But thus much may be aver'd, that _Fletcher's_
later _Plays_ are the most inoffensive. This is either a sign of the
_Poets_ Reformation; or that the exceptionable Passages belonged to
_Beaumont_, who dyed first.
To these Authorities of our own Nation, I shall add a considerable
Testimony out of Mr. _Corneille_. This Author was sensible that tho' the
Expression of his _Theodore_ was altogether unsmutty,[101] 'Yet the bare
Idea of Prostitution uneffected, shock'd the Audience, and made the Play
miscarry. The _Poet_ protests he took great care to alter the natural
Complexion of the Image, and to convey it decently to the Fancy; and
delivered only some part of the History as inoffensively as possible. And
after all his Screening and Conduct, the Modesty of the Audience would not
endure that little, the Subject forced him upon. He is positive 'the
Comedies St. _Augustine_ declaim'd against, were not such as the _French_.
For theirs are not spectacles of Turpitude, as that Father justly calls
those of his Time. The _French_ generally speaking, containing nothing but
examples of Innocence, Piety and Virtue.'
In this Citation we have the Opinion of the _Poet_, the Practise of the
_French_ Theatre, and the Sense of that _Nation_, and all very full to our
purpose.
To conclude this _Chapter_. By what has been offer'd, it appears that the
_Present English Stage_ is superlatively Scandalous. It exceeds the
Liberties of all Times and Countries: It has not so much as the poor plea
of a _Precedent_, to which most other ill Things may claim a pretence. 'Tis
mostly meer Discovery and Invention: A new World of Vice found out, and
planted with all the Industry imaginable. _Aristophanes_ himself, how bad
soever in other respects, does not amplyfie, and flourish, and run through
all the Topicks of Lewdness like these Men. The _Miscellany Poems_ are
likewise horribly Licentious. They are sometimes Collections from
Antiquity, and often, the worst parts of the worst _Poets_. And to mend the
Matter, the Christian _Translation_, is more nauseous than the _Pagan_
Original. Such stuff I believe was never seen, and suffer'd before. In a
word, If Poverty and Diseases, the Dishonour of Families, and the
Debauching of Kingdoms, are such valuable Advantages, then I confess these
Books deserve encouragement. But if the Case is otherwise, I humbly
conceive the Proceeding should be so too.
CHAP. II.
_The Profaness of the_ Stage.
Public-domain text, read in full here on John Shaqi.
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument — John Shaqi
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