A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
An other Instance of the Disorders of the _Stage_ is their _Profaness_:
This Charge may come under these two particulars.
_1st. Their Cursing and Swearing._
_2dly. Their Abuse of Religion and Holy Scripture._
_1st Their Cursing and Swearing._
What is more frequent then their wishes of Hell, and Confusion, Devils, and
Diseases, all the Plagues of this World, and the next, to each other? And
as for Swearing; 'tis used by all Persons, and upon all Occasions: By
Heroes, and Paltroons; by Gentlemen, and Clowns: Love, and Quarrels,
Success, and Disappointment, Temper, and Passion, must be varnish'd, and
set off with _Oaths_. At some times, and with some _Poets_ Swearing is no
ordinary Releif. It stands up in the room of Sense, gives Spirit to a flat
Expression, and makes a Period Musical and Round. In short, 'tis almost all
the Rhetorick, and Reason some People are Masters of: The manner of
performance is different. Some times they mince the matter; change the
Letter, and keep the Sense,[102] as if they had a mind to steal a Swearing,
and break the Commandement without Sin. At another time the Oaths are
clipt, but not so much within the Ring, but that the _Image and
Superscription_ are visible. These expedients, I conceive are more for
variety, then Conscience: For when the fit comes on them, they make no
difficulty of Swearing at Length. Instances of all these kinds may be met
with in the _Old Batchelour_, _Double Dealer_, and _Love for Love_. And to
mention no more, _Don Quixot_, the _Provok'd Wife_, and the _Relapse_, are
particularly rampant and scandalous. The _English Stage_ exceed their
predecessors in this, as well as other Branches of immorality. _Shakespear_
is comparatively sober, _Ben Jonson_ is still more regular; And as for
_Beaument_ and _Fletcher_, In their _Plays_ they are commonly Profligate
Persons that Swear, and even those are reprov'd for't. Besides, the Oaths
are not so full of Hell and Defiance, as in the Moderns.
So much for matter of Fact: And as for point of Law, I hope there needs not
many words to prove Swearing a Sin: For what is more provoking than
contempt, and what Sin more contemptuous than common Swearing? what can be
more Insolent and Irreligious, than to bring in God to attest our Trifles,
to give Security for our Follies, and to make part of our Diversion? To
Play with Majesty and Omnipotence in this manner, is to render it cheap and
despicable. How can such Customes as these consist with the belief of
Providence or Revelation? The _Poets_ are of all People most to blame. They
want even the Plea of _Bullies_ and _Sharpers_. There's no Rencounters, no
starts of Passion, no suddain Accidents to discompose them. They swear in
Solitude and cool Blood, under Thought and Deliberation, for Business, and
for Exercise: This is a terrible Circumstance; It makes all _Malice
Prepence_, and enflames the Guilt, and the Reckoning.
Public-domain text, read in full here on John Shaqi.
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