_A_ Character _of their_ fine Gentleman. p. 143 _Their_ fine Ladies _Accomplish'd much after the same manner_. p. 146 _The_ Young People _of_ Figure _in_ Plautus _and_ Terence, _have a greater regard to_ Morality. Ibid. _The Defence in the_ Preface _to the_ Mock-Astrologer, _not sufficient_. p. 148 _The_ Christian _Religion makes a great_ difference _in the Case_. p. 149 Horace _of a Contrary Opinion to the_ Mock-Astrologer. p. 150 _The_ Mock-Astrologer's _Instances from_ Ben Johnson _Unserviceable_. p. 151 _The Authority of_ Shakespear _against the_ Mock-Astrologer. p. 154 _His_ Maxim _founded on the difference between_ Tragedy, _and_ Comedy, _a_ Mistake. p. 155 Delight _not the Chief-End of_ Comedy. p. 157 _This Assertion prov'd against the_ Mock-Astrologer _from the Testimonies of_ Rapin. Ibid. _And_ Ben Johnson. p. 158 Aristotle, _and_ Quintilian, _cited to the same purpose_ p. 159, 161 _To make_ Delight _the main Business in_ Comedy, _dangerous, and unreasonable_. p. 162 _The improper Conduct of the_ Stage _with respect to Poetry, and Ceremony_. p. 165 _Extravagant Rants._ p. 167 _Gingles in the_ Spanish Fryar, King Arthur, _and_ Love Triumphant. p. 169 Women _roughly treated by the_ Stage. p. 171 _Their coarse Usage of the_ Nobility. p. 173 _These Freedoms peculiar to the_ English Stage. p. 175 CHAP. V. SECT. I. _Remarks upon Amphytrion._ p. 177 _The_ Machines _prophane, smutty, and out of the Character_. p. 178 _The singularity of the Poet in this point._ p. 180 _Blasphemy in Absalom and Achitophel._ p. 184 _A_ Poem _upon the Fall of the_ Angels, _call'd a Fairy way of Writing_. p. 189 _The_ Punishment _of the_ Damned ridiculed. p. 192 SECT. II. _Remarks on the_ Comical History _of_ Don Quixot. p. 196 _The_ Poets horrible Prophaneness. p. 197 _His want of_ Modesty, _and_ Regard _to the_ Audience. p. 202 All _Imitations of Nature not proper for the_ Stage. p. 204 _The_ Poets _Talent in Raillery, and_ Dedication. p. 205