A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
It seems then _Executions_ are only for _Greatness_; and _Quality_.
_Justice_ is not to strike much _lower_ than a _Prince_. _Private People_
may do what they _please_. They are too _few_ for _Mischief_, and too
_Little_ for _Punishment_! This would be admirable Doctrine for _Newgate_,
and give us a general _Goal-Delivery_ without more ado. But in _Tragedy_
(says the _Mock Astrologer_.) _the Crimes are likewise Horrid_, so that
there is a necessity for Severity and Example. And how stands the matter in
_Comedy_? Quite otherwise. There the _Faults are but the follies of Youth,
and the Frailties of Human Nature_.[321] For Instance. There is nothing but
a little Whoring, Pimping, Gaming, Profaness _&c_, And who could be so hard
hearted to give a Man any Trouble for This? Such Rigours would be strangely
Inhumane! A _Poet_ is a better natur'd Thing I can assure you. These little
Miscarrages _move Pity and Commiseration, and are not such as must of
necessity be Punish'd_.[322] This is comfortable Casuistry! But to be
Serious. Is Dissolution of Manners such a Peccadillo? Does a Profligate
Conscience deserve nothing but Commiseration? And are People damn'd only
for _Humane Frailties_? I perceive the Laws of Religion and those of the
_Stage_ differ extreamly! The strength of his Defence lies in this choice
Maxim, that the _Cheif End of Comedy is Delight_. He questions _whether
Instruction has any thing to do in Comedy_; If it has, he is sure _'tis no
more then its secondary end_: _For the business of the Poet is to make you
laugh_.[323] Granting the Truth of this Principle, I somewhat question the
serviceableness of it. For is there no Diversion to be had unless Vice
appears prosperous, and rides at the Head of Success. One would think such
a preposterous, distribution of Rewards, should rather shock the Reason,
and raise the Indignation of the _Audience_. To laugh without reason is the
Pleasure of Fools, and against it, of something worse. The exposing of
Knavery, and making _Lewdness_ ridiculous, is a much better occasion for
Laughter. And this with submission I take to be the End of _Comedy_. And
therefore it does not differ from _Tragedy_ in the End, but in the _Means_.
Instruction is the principal Design of both. The one works by Terror, the
other by Infamy. 'Tis true, they don't move in the same Line, but they meet
in the same point at last. For this Opinion I have good Authority, besides
what has been cited already.
Public-domain text, read in full here on John Shaqi.
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