A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
In fancy I can hear the tale he would now begin telling. There was that
one about his escape from the guards when he was a Union soldier in the
Civil War and was being marched off to a Southern prison camp. He would
no doubt use that. It was a bull’s-eye story and always hit the mark!
Oh, how often and under what varying circumstances has not my father
escaped from prisons! Benvenuto Cellini or the Count of Monte Cristo
had nothing on him.
Yes, the story he would now tell would be that once when it rained and
the Union prisoners, father among them--some forty men in all--were
being marched off along a road in the deep mud--
That was indeed a night of adventure! It was a tale he loved telling,
and what realistic touches he could put into it: the rain that wet
the prisoners to the skin--the cold--the chattering teeth--the groans
of weary men--the closeness of the dark forest on either hand--the
steady weary chug-chug of the feet of the prisoners in the mud--the
line of guards at either side of the road, with the guns over their
shoulders--the curses of the Rebel guards when they stumbled in the
darkness.
What a night of weary anguish on the part of the prisoners! When they
stopped to rest the guards went into a house and left the prisoners to
stand outside in the rain, or lie on the bare ground, guarded by part
of the company. If any died of exposure--well, there would be that many
less men to feed when they were got into the Southern prison camp.
And now, after many days and nights, marching thus, the souls of the
prisoners were sick with weariness. A dreary desolated look would come
upon father’s face as he spoke of it.
They marched steadily along in the deep mud and the rain. How cold
the rain was! Now and then, in the darkness, a dog barked, far away
somewhere. There was a break in the solid line of timber along the road
and the men marched across the crest of a low hill. There are lights
to be seen now, in distant farmhouses, far away across a valley--a few
lights like stars shining.
The story-teller has got his audience leaning forward in their chairs.
Outside the farmhouse in which they sit a wind begins to blow and a
broken branch from a near-by tree is blown against the side of the
house. The farmer, a heavy, stolid-looking man, starts a little and his
wife shivers as with cold and Tilly is absorbed--she does not want to
miss a word of the tale.
And now father is describing the darkness of the valley below the
hill and the lights seen, far off. Will any of the little company of
prisoners ever see their own homes again, their wives, their children,
their sweethearts? The lights of the farmhouses in the valley are like
stars in the sky of a world turned upside down.
The Rebel commander of the guard has issued a warning and a command:
“It’s pretty dark here, and if any of the Yanks make a stir to move out
of the centre of the road fire straight into the mass of them. Kill
them like dogs.”
Public-domain text, read in full here on John Shaqi.
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