A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers — John Shaqi
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
There was your true pilgrimage abroad, out into the land. Father
engaged a horse and a spring wagon and took the three older of his sons
with him. My older brother and the one next younger than myself were,
from the first, adept at sign-writing, while both father and myself
were helpless with a brush in our hands. And so I drove the horse and
father supervised the whole affair. He had a natural boyish love for
the supervision of affairs and the picking out of a particular fence on
a particular road became to him as important a matter as the selection
of a site for a city, or the fortification that was to defend it.
And then the farmer who owned the fence had to be consulted and if he
refused his consent the joy of the situation became intensified. We
drove off up the road and turned into a wood and the farmer went back
to his work of cultivating corn. We watched and waited, our boyish
hearts beating madly. It was a summer day and in the small wood in
which we were concealed we all sat on a fallen log in silence. Birds
flew overhead and a squirrel chattered. What a delicate tinge of
romance spread over our commonplace enough business!
Father was made for romance. For him there was no such thing as a fact.
It had fallen out that he, never having had the glorious opportunity
to fret his little hour upon a greater stage, was intent on fretting
his hour as best he could in a money-saving prosperous corn-shipping,
cabbage-raising Ohio village.
He magnified the danger of our situation. “He might have a shotgun,” he
said, pointing to where in the distance the farmer was again at work.
As we waited in the wood he sometimes told us a story of the Civil War
and how he with a companion had crept for days and nights through an
enemy country at the risk of their lives. “We were carrying messages,”
he said, raising his eyebrows and throwing out his hands. By the
gesture there was something implied. “Well, it was an affair of life
or death. Why speak of the matter? My country needed me and I, and my
intrepid companion, had been selected because we were the bravest men
in the army,” the raised eyebrows were saying.
And so with their paint pots and brushes in their hands my two brothers
presently crept out of the wood and ran crouching through cornfields
and got into the dusty road. Quickly and with mad haste they dabbed the
name of Alf Granger on the fence with the declaration that he baked the
best bread in the State of Ohio, and when they returned to us we all
got back into the spring wagon and drove back along the road past the
sign. Father commanded me to stop the horse. “Look,” he said, frowning
savagely at my two brothers, “your _N_ is wrong. You are being
careless again with your _Bs_. Good gracious, will I never teach
you two how to handle a brush?”
Public-domain text, read in full here on John Shaqi.
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