A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers — John Shaqi
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
The figure of father’s mother is erect. She is old but she is yet tall
and strong. One of the officers explains to her that he and his men
have been on an all-night march, taking the crowd of Yankee prisoners
to a prison camp, and asks for the hospitality of the house. Being a
southerner himself he knows that southern hospitality can never fail,
even at midnight. “A bite to eat and a cup of hot coffee in the name of
our Southland,” he asks.
It is granted, of course. The proud woman beckons him and his brother
officer into the house and herself steps out into the cold, drizzling
rain.
She has ordered the young negro to stand on the porch, holding the
candle aloof, and now, marching across the wet lawn, approaches the
prisoners. The southern guards have stepped aside, bowing low before
southern womanhood, and she goes near the prisoners and looks at them,
as well as one may in the uncertain light. “I have a curiosity to see
some of the unmannerly dogs of Yanks,” she says, leaning forward and
staring at them. She is very near her own son now but he has turned his
face away and is looking at the ground. Something however causes him to
raise his head just as she, to express more fully her contempt, spits
at the men.
A little speck of her white spittle lands upon father’s thick, tawny
beard.
And now his mother has gone back into the house and it is again dark on
the lawn in front. The Rebel guards are relieved--two at a time--to go
to the kitchen door, where they are given hot coffee and sandwiches.
And once his young sister, she of the tender heart, tries to creep to
where the prisoners stand in the darkness. She is accompanied by an old
negro woman and has planned to give food aid and comfort to the weary
men but is prevented. Her mother has missed her inside the house and
coming to the door calls to her. “I know your tender heart,” she says,
“but it shall not be. The teeth of no Yankee dog shall ever bite into
food raised on the land of your father. It shall not happen, at least
while your mother is alive to prevent.”
NOTE III
SO there was father, sitting comfortably in the warm farmhouse living
room--he and Aldrich having been well fed at the table of a prosperous
farmer--and having before him what he most loved, an attentive and
absorbed audience. By this time the farmer’s wife would be deeply
moved by the fate of that son of the South that father had represented
himself as being; and as for Tilly--while, in the fanciful picture
he is making, he stands in the cold and wet outside the door of that
southern mansion, Heaven knows what is going on in poor Tilly’s heart.
It is however bleeding with sympathy, one may be sure of that.
So there is father and, in the meantime, what of his own actual
flesh-and-blood family, the family he had left behind in an Ohio
village when he set forth on his career as an actor?
Public-domain text, read in full here on John Shaqi.
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