A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
It is not suffering too much. One need not waste too much sympathy on
his family. Although he was never what we called in our Ohio country,
“a good provider,” he had his points and as one of his sons I at least
would be loath to trade him for a more provident shrewd and thoughtful
father.
It must however have been a fairly hard winter, for mother at least and
in connection with that winter and others that followed I have often
since had an amusing thought. In later years, when my own name had a
little got up in the world as a teller of tales I was often accused
of having got my impulse, as a story-teller, from the Russians. The
statement is a plausible one. It is, in a way, based upon reason.
When I had grown to be a man, and when my stories began to be published
in the pages of the more reckless magazines, such as _The Little
Review_, the old _Masses_ and later in _The Seven Arts_
and _The Dial_, and when I was so often accused of being under the
Russian influence, I began to read the Russians, to find out if the
statement, so often made concerning me and my work, could be true.
This I found, that in Russian novels the characters are always eating
cabbage soup and I have no doubt Russian writers eat it too.
This was a revelation to me. Many of the Russian tales are concerned
with the lives of peasants and a Boston critic once said I had brought
the American peasant into literature; and it is likely that Russian
writers, like all the other writers who have ever lived and have not
pandered to the popular demand for sentimental romances were fortunate
if they could live as well as a peasant. “What the critics say is no
doubt true,” I told myself; for, like so many of the Russian writers, I
was raised largely on cabbage soup.
Let me explain.
The little Ohio farming community, where I lived as a lad had in it,
at that time, no factories, and the merchants artisans lawyers and
other townspeople were all either owners of land which they rented out
to tenant farmers, or they sold goods or their services to farmers.
The soil on the farms about the town was a light sandy loam that
would raise small fruits, corn, wheat, oats or potatoes, but that did
particularly well when planted to cabbages.
As a result the raising of cabbages became a sort of specialty with
us in our country; and there are now, I believe, in my native place,
some three or four prosperous factories, devoted to the making of what
before the war was called “sauerkraut.” Later, to help win the war, it
was called: “Liberty Cabbage.”
The specialization in the raising of cabbage began in our Ohio country
in my day, and in a good year some of the fields produced as high as
twenty tons of cabbage an acre.
Public-domain text, read in full here on John Shaqi.
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