A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
Mother was tall and slender and had once been beautiful. She had
been a bound girl in a farmer’s family when she married father, the
improvident young dandy. There was Italian blood in her veins and her
origin was something of a mystery. Perhaps we never cared to solve
it--wanted it to remain a mystery. It is so wonderfully comforting to
think of one’s mother as a dark, beautiful and somewhat mysterious
woman. I later saw her mother--my own grandmother--but that is another
story.
She the dark evil old woman with the broad hips and the great breasts
of a peasant and with the glowing hate shining out of her one eye would
be worth a book in herself. It was said she had shuffled off four
husbands and when I knew her, although she was old, she looked not
unwilling to tackle another. Some day perhaps I shall tell the tale of
the old woman and the tramp who tried to rob the farm house when she
was staying alone; and of how she, after beating him into submission
with her old fists, got drunk with him over a barrel of hard cider in
a shed and of how the two went singing off together down the road--but
not now.
Our own mother had eyes that were like pools lying in deep shadows at
the edge of a wood but when she grew angry and fell into one of her
deep silences lights danced in the pools. When she spoke her words were
filled with strange wisdom (how sharply yet I remember certain comments
of hers--on life--on your neighbors!), but often she commanded all of
us by the strength of her silences.
She came into the bedroom where three boys lay on one bed, carrying in
one hand a small kerosene lamp and in the other a dish in which was
warm melted fat.
There were three boys in one bed, two of them almost of the same size.
The third was then a small silent fellow. Later his life was to be very
strange. He was one who could not fit himself into the social scheme
and, until he was a grown man, he stayed about, living sometimes with
one, sometimes with another of his brothers--always reading books,
dreaming, quarreling with no one.
He, the youngest of the three, looked out at life always as from a
great distance. He was of the stuff of which poets are made. What
instinctive wisdom in him. All loved him but no one could help him in
the difficult business of living his life and when on summer evenings,
as the three lay in the bed the two older boys fought or made great
plans for their lives, he lay beside them in silence--but sometimes he
spoke and his words came always as from a far place. We were perhaps
discussing the wonders of life. “Well,” he said, “it is so and so.
There will be no more babies, but the new babies do not come as you
say. I know how they come. They come the same way you grow corn. Father
plants seed in the earth and mother is the earth in which the seed
grows.”
Public-domain text, read in full here on John Shaqi.
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