A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
And now I pointed toward the bed and stopped pounding my own chest
which was becoming sore. Stepping quite close to her, so close in
fact that my face was within a few inches of her own, I put one hand
against the wall and tried to quiet my own loud, blustering tones, and
to assume a tone of great ease, or rather, of nonchalance. I took a
cigarette from my pocket and succeeded in lighting it without burning
my fingers, a feat requiring a good deal of concentration under the
circumstances. The truth is, that I had bethought myself that in a
moment more Nora would either hit me with the broom, that stood close
at her hand, or would run out of the room thinking me insane.
As I had a notion I wanted to put over to her while I could and while
my beer-born courage lasted I now tried to be more at my ease. A
little smile began to play about the corners of my mouth and I thought
of myself at the moment as a diplomat--not an American or an English
diplomat, let me say, but an Italian diplomat of, we will suppose, the
sixteenth century.
In as light and bantering a tone as I could assume under the
circumstances--my task was the more difficult because a workman,
hearing my speech from a neighboring room, had come along the hallway
and was now standing at the door with a look of astonishment on his
face--assuming, I say, a light bantering tone, I now rapidly explained
to Nora the notion that had been in my head when I interrupted her
bed-making. She had been about to reach for the broom and with it
to drive me from the room, but now the words streaming from my lips
caught and held her attention. With a fluency in words that never
comes to me when I am writing and that only comes to my lips when I
am slightly under the influence of strong drink I explained myself.
To the astonished young woman I compared the bed she had been making
to a suit of clothes I might be about to put on my body after I had
bathed the aforesaid body. Talking rapidly and enunciating my words
very distinctly so she should lose nothing of my discourse (and I
might here explain to you, my readers, that in ordinary conversation
I am rather given to the slovenly dragging of words so common to the
people of the Middle West. We, you must know, do not say “feah,” as a
New Englander might, nor “fear,” as an Italian-American might, that is
to say, pronouncing distinctly the “r,” but “feehr”), going on very
clearly and distinctly I told Nora she was not to judge me by the smell
that came from my clothes, that under my clothes lived a body I was
about to wash clean as soon as she had finished her work in the room
and had gone away. Leaving both her and the workman outside the door
standing and staring at me I walked to the window and threw it up. “The
cloud of dust you see floating up from the street below,” I explained,
“does not represent all the elements of the atmosphere even in an
American industrial city.” I then tried, as best I could, to explain to
Public-domain text, read in full here on John Shaqi.
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