A Study of Siouan Cults: Eleventh Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1889-1890, Government Printing Office, Washington, 1861, pages 351-544Dorsey, James Owen
Religion
A Study of Siouan Cults: Eleventh Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1889-1890, Government Printing Office, Washington, 1861, pages 351-544
Dorsey, James Owen
Siouan Indians -- Religion
They assemble in a lodge, wearing tall, conical hats, being nearly
naked, and painted in a strange style. Upon the fire is placed a
huge kettle full of meat, and they remain seated around the fire
smoking until the water in the kettle begins to boil, which is
the signal for the dance to begin. They dance and sing around
it excitedly, plunging their hands into the boiling water, and
seizing large pieces of hot meat, which they devour at once. The
scalding water is thrown over their backs and legs, at which they
never wince, complaining that it is cold. Their skin is first
deadened, as I am creditably informed, by rubbing with a certain
grass; and they do not in reality experience any uneasiness from
the boiling water--a fact which gives their performances great
mystery in the eyes of the uninitiated.
§ 221. Dr. Brinton has confounded the Heyoka with the Wakinyan. The two
are distinct classes of powers, though there is some connection between
them, as may be inferred from the following stories in the Bushotter
collection.
§ 222. No Indian belonging to the Heyoka Society ever tells of his own
personal mystery. Such things are “wakaŋ,” and not even one man can be
induced to sing the Heyoka songs upon an ordinary occasion; because if
they sing one of those songs except at the proper time they say that
the Thunder-beings would kill the entire households of the offenders.
Therefore they object to singing the Heyoka songs and they do not like
to speak about them.
STORY OF A HEYOKA MAN.
§ 223. It is said that the people of the olden times knew when they
were about to die, and they used to dream about their deaths and how
they would be when the time drew near. One of those men said, “When the
first thunder is heard next spring, I and my horse shall die.”
For that reason his kindred were weeping from time to time, this
man who had dreamed of his death decorated the legs of his horse by
moistening light gray clay and drawing zigzag lines down the legs. In
like manner he decorated the neck and back of the horse, and he made
similar lines on his own arms. Then he would walk about the prairie
near the camp, singing and holding a pipe with the stem pointing toward
the sky.
Public-domain text, read in full here on John Shaqi.
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