Egypt -- Description and travel; Egypt -- History -- 19th century; Nile River -- Description and travel
Nor is the background less picturesque than the figures. The houses are
high and narrow. The upper stories project; and from these again jut
windows of delicate turned lattice work in old brown wood, like big
bird-cages. The street is roofed in overhead with long rafters and
pieces of matting, through which a dusty sunbeam straggles here and
there, casting patches of light upon the moving crowd. The unpaved
thoroughfare--a mere narrow lane, full of ruts and watered profusely
twice or thrice a day--is lined with little wooden shop fronts, like
open cabinets full of shelves, where the merchants sit cross-legged in
the midst of their goods, looking out at the passers-by and smoking in
silence. Meanwhile, the crowd ebbs and flows unceasingly--a noisy,
changing, restless, party-colored tide, half European, half oriental, on
foot, on horseback, and in carriages. Here are Syrian dragomans in baggy
trousers and braided jackets; barefooted Egyptian fellaheen in ragged
blue shirts and felt skull-caps; Greeks in absurdly stiff white tunics,
like walking pen-wipers; Persians with high miter-like caps of dark
woven stuff; swarthy Bedouins in flowing garments, creamy-white, with
chocolate stripes a foot wide, and head-shawl of the same bound about
the brow with a fillet of twisted camel’s hair; Englishmen in palm-leaf
hats and knickerbockers, dangling their long legs across almost
invisible donkeys; native women of the poorer class, in black veils that
leave only the eyes uncovered, and long trailing garments of dark blue
and black striped cotton; dervishes in patchwork coats, their matted
hair streaming from under fantastic head-dresses; blue-black Abyssinians
with incredibly slender, bowed legs, like attenuated ebony balustrades;
Armenian priests, looking exactly like Portia as the doctor, in long
black gowns and high square caps; majestic ghosts of Algerine Arabs, all
in white; mounted Janissaries with jingling sabers and gold-embroidered
jackets; merchants, beggars, soldiers, boatmen, laborers, workmen, in
every variety of costume, and of every shade of complexion from fair to
dark, from tawny to copper-color, from deepest bronze to bluest black.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account