Egypt -- Description and travel; Egypt -- History -- 19th century; Nile River -- Description and travel
Now a water-carrier goes by, bending under the weight of his newly
replenished goatskin, the legs of which being tied up, the neck fitted
with a brass cock, and the hair left on, looks horribly bloated and
life-like. Now comes a sweetmeat-vender with a tray of that gummy
compound known to English children as “lumps of delight”; and now an
Egyptian lady on a large gray donkey led by a servant with a showy saber
at his side. The lady wears a rose-colored silk dress and white veil,
besides a black silk outer garment, which, being cloak, hood, and veil
all in one, fills out with the wind as she rides, like a balloon. She
sits astride; her naked feet, in their violet velvet slippers, just
resting on the stirrups. She takes care to display a plump brown arm
laden with massive gold bracelets, and, to judge by the way in which she
uses a pair of liquid black eyes, would not be sorry to let her face be
seen also. Nor is the steed less well dressed than his mistress. His
close-shaven legs and hindquarters are painted in blue and white zigzags
picked out with bands of pale yellow; his high-pommeled saddle is
resplendent with velvet and embroidery; and his head-gear is all tags,
tassels, and fringes. Such a donkey as this is worth from sixty to a
hundred pounds sterling. Next passes an open barouche full of laughing
Englishwomen; or a grave provincial sheik all in black, riding a
handsome bay Arab, _demi-sang_; or an Egyptian gentleman in European
dress and Turkish fez, driven by an English groom in an English phaeton.
Before him, wand in hand, bare-legged, eager-eyed, in Greek skull-cap
and gorgeous gold-embroidered waistcoat and fluttering white tunic,
flies a native saïs, or running footman. No person of position drives in
Cairo without one or two of these attendants. The saïs (strong, light
and beautiful, like John of Bologna’s Mercury) are said to die young.
The pace kills them. Next passes a lemonade-seller, with his tin jar in
one hand and his decanter and brass cups in the other; or an itinerant
slipper-vender with a bunch of red and yellow morocco shoes dangling at
the end of a long pole; or a London-built miniature brougham containing
two ladies in transparent Turkish veils, preceded by a Nubian outrider
in semi-military livery; or, perhaps, a train of camels, ill-tempered
and supercilious, craning their scrannel necks above the crowd, and
laden with canvas bales scrawled over with Arabic addresses.
Public-domain text, read in full here on John Shaqi.
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