Egypt -- Description and travel; Egypt -- History -- 19th century; Nile River -- Description and travel
Apart, however, from its poverty of design and detail, the Mosque of Amr
is interesting as a point of departure in the history of Saracenic
architecture. It was built by Amr Ebn el-As, the Arab conqueror of
Egypt, in the twenty-first year of the hegira (A.D. 642), just ten years
after the death of Mohammed; and it is the earliest Saracenic edifice in
Egypt. We were glad, therefore, to have seen it for this reason, if for
no other. But it is a barren, dreary place; and the glare reflected from
all sides of the quadrangle was so intense that we were thankful to get
away into the narrow streets beside the river.
Here we presently fell in with a wedding procession consisting of a
crowd of men, a band, and some three or four hired carriages full of
veiled women, one of whom was pointed out as the bride. The bridegroom
walked in the midst of the men, who seemed to be teasing him, drumming
round him, and opposing his progress; while high above the laughter, the
shouting, the jingle of tambourines and the thrumming of darabukkehs,
was heard the shrill squeal of some instrument that sounded exactly like
a bagpipe.
It was a brilliant afternoon, and we ended our day’s work, I remember,
with a drive on the Shubra road and a glance at the gardens of the
khedive’s summer palace. The Shubra road is the Champs Elysées of Cairo,
and is thronged every day from four to half-past six. Here little sheds
of roadside cafés alternate with smart modern villas; ragged fellâheen
on jaded donkeys trot side by side with elegant attachés on
high-stepping Arabs; while tourists in hired carriages, Jew bankers in
unexceptionable phaetons, veiled hareems in London built broughams,
Italian shop-keepers in preposterously fashionable toilets, grave sheiks
on magnificent Cairo asses, officers in frogged and braided frocks, and
English girls in tall hats and close-fitting habits, followed by the
inevitable little solemn-looking English groom, pass and repass, precede
and follow each other, in one changing, restless, heterogeneous stream,
the like of which is to be seen in no other capital in the world. The
sons of the khedive drive here daily, always in separate carriages and
preceded by four saïses and four guards. They are of all ages and sizes,
from the hereditary prince, a pale, gentlemanly looking young man of
four or five and twenty, down to one tiny, imperious atom of about six,
who is dressed like a little man, and is constantly leaning out of the
carriage window and shrilly abusing his coachman.[7]
Public-domain text, read in full here on John Shaqi.
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