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A TOP-FLOOR IDYL
by
GEORGE VAN SCHAICK
Author of "Sweetapple Cove," "The Son of the Otter," "The Girl at Big
Loon Post"
Illustrated by Chase Emerson
Boston
Small, Maynard & Company
Publishers
Copyright, 1917,
By Small, Maynard & Company
(Incorporated)
Printers
S. J. Parkhill & Co., Boston, U.S.A.
TO
MY DEARLY LOVED SISTER
ELISE
[Illustration: And always she was a friend, nothing but the dear
friend.]
CONTENTS
I THE NIGHT ALARM
II FRIEDA THE ANGEL
III I WATCH AN INFANT
IV THE BOLT
V GORDON HELPS
VI A BIT OF SUNSHINE
VII THE OTHER WOMAN
VIII WE TAKE AN EXCURSION
IX I HEAR RUMOURS ABOUT GORDON
X THE WORK LOST
XI GORDON VACILLATES
XII GORDON BECOMES ENGAGED
XIII DR. PORTER GOES TO WORK
XIV I BEGIN TO PLOT
XV THE LIGHTNING STROKE
XVI FRANCES READS MY BOOK
XVII MISS VAN ROSSUM CALLS
XVIII DIANA AMONG MORTALS
XIX FRANCES GOES TO THE COUNTRY
XX RICHETTI IS PLEASED
XXI THE CONCERT
XXII GORDON RETURNS
XXIII THE REPAIR OF A BROKEN STRAND
XXIV "THE MOTHER AND CHILD"
LIST OF ILLUSTRATIONS
And always she was a friend, nothing but the dear friend.
No, she was only a woman, with a soul for harmony.
Her lovely head was bent down towards the sleeping mite.
A TOP-FLOOR IDYL
CHAPTER I
THE NIGHT ALARM
I smiled at my friend Gordon, the distinguished painter, lifting up my
glass and taking a sip of the _table d'hote_ claret, which the Widow
Camus supplies with her famed sixty-five cent repast. It is, I must
acknowledge, a somewhat turbid beverage, faintly harsh to the palate,
and yet it may serve as a begetter of pleasant illusions. While drinking
it, I can close my eyes, being of an imaginative nature, and permit its
flavor to bring back memories of ever-blessed _tonnelles_ by the Seine,
redolent of fried gudgeons and mirific omelettes, and felicitous with
gay laughter.
"Well, you old stick-in-the-mud," said my companion, "what are you
looking so disgruntled about? I was under the impression that this feast
was to be a merry-making to celebrate your fortieth birthday. Something
like a grin just now passed over your otherwise uninteresting features,
but it was at once succeeded by the mournful look that may well follow,
but should not be permitted to accompany, riotous living."
At this I smiled again.
Public-domain text, read in full here on John Shaqi.
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