"Just a moment's wool-gathering, my dear fellow," I answered. "I was
thinking of our old feasts, and then I began to wonder whether the tune
played by that consumptive-looking young man at the piano might be a
wild requiem to solemnize that burial of two-score years, or a song of
triumphant achievement."
"I think it's what they call a fox-trot," remarked Gordon, doubtfully.
"Your many sere and yellow years have brought you to a period in the
world's history when the joy of the would-be young lies chiefly in wild
contortion to the rhythm of barbaric tunes. I see that they are getting
ready to clear away some of the tables and, since we are untrained in
such new arts and graces, they will gradually push us away towards the
doors. The bottle, I notice, is nearly half empty, which proves our
entire sobriety; had it been _Pommard_, we should have paid more
respectful attention to it. Give me a light, and let us make tracks."
We rose and went out. A few couples were beginning to gyrate among the
fumes of spaghetti and _vin ordinaire_. Gordon McGrath, unlike myself,
lives in one of the more select quarters of the city, wherefore we
proceeded towards Fifth Avenue. The partial solitude of Washington
Square enticed us, and we strolled towards it, sitting of common accord
upon one of the benches, in the prelude of long silence resulting from
philosophic bent and indulgence in rather tough veal. It was finally
broken by Gordon; being younger, speech is more necessary to him.
"What about that sarcophagus you've lately selected for yourself?" he
asked me.
"They are pleasant diggings," I answered. "Being on the top floor, they
are remote as possible from hand-organs and the fragrance of Mrs.
Milliken's kitchen. The room is quite large and possesses a bath. It
gives me ample space for my books and mother's old piano."
"Wherefore a piano?" he asked, lighting another cigarette. "You can't
even play with one finger."
"Well, my sister Jane took out nearly all the furniture, and the
remainder went to a junkman, with the exception of the piano. Jane
couldn't use it; no room for it in her Weehawken bungalow, besides which
she already has a phonograph, purchased at the cost of much saving. You
see, Gordon, that old Steinway was rather more intimately connected with
my mother, in my memory, than anything else she left. She played it for
us when we were kiddies. You have no idea of what a smile that dear
woman had when she turned her head towards us and watched us trying to
dance! Later on, when she was a good deal alone, it was mostly 'Songs
without Words,' or improvisations such as suited her moods. Dear me! She
looked beautiful when she played! So, of course, I took it, and it
required more room, so that I moved. I've had it tuned; the man said
that it was in very good condition yet."
"You were always a silly dreamer, Dave."
"I don't quite see," I began, "what----"
Public-domain text, read in full here on John Shaqi.
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