A Tour Up the Straits, from Gibraltar to Constantinople: With the Leading Events in the Present War Between the Austrians, Russians, and the Turks, to the Commencement of the Year 1789Sutherland, David, Captain
History
A Tour Up the Straits, from Gibraltar to Constantinople: With the Leading Events in the Present War Between the Austrians, Russians, and the Turks, to the Commencement of the Year 1789
Sutherland, David, Captain
Mediterranean Region -- Description and travel; Russo-Turkish War, 1787-1792
The equestrian statues of Marcus Nonius Balbus, and his son, at the foot
of the great staircase, are both remarkably light and elegant. One has
the greater pleasure in admiring them, from their being a tribute to
virtue, erected after their death by the citizens of Herculaneum, of
which they were Pro-consuls.
Portici is about six miles from Naples, at the foot of Vesuvius; the
theatre of Herculaneum is a little beyond the Palace, and Pompeia about
seven miles farther, all on the great road to Castello Mare. No
excavations having been made at Stabia, we did not go there.
LETTER IX.
TO CAPTAIN SMITH.
Naples, September 27th.
MY DEAR SIR,
Engagements in Naples, which we could not decline, and the shortness of
our stay, allowed us to make but one more excursion to the country. This
was to the new palace at Casertta. The outside has nothing to boast of
but the grandeur of its size; but for convenience, the plan is, perhaps,
the best which has ever been laid out. It is a square of six hundred
feet each side; and that no room may be lost, the interior court is
divided into four, by a range of buildings in the shape of a cross, the
head of which forms a most magnificent church, lined with the marble
from the Temple of Serapis at Puzzoli. It hath not many paintings, but
that of the Presentation is reckoned inestimable. I do not mean to
criticise this admirable work, but it is natural to imagine that the
painter intended the Virgin Mary to be his principal character, and yet,
in spite of myself, my attention was constantly drawn from her to the
surrounding figures.
The great staircase forms one of the finest _coup d'oeils_ of the kind I
ever beheld. It is in the center of the whole edifice, opposite the
church gates. The dome is painted with Apollo and the Muses, in a
circle, and the four seasons in the corners. The steps and balustrade
are all of marble of different colours, on a very grand scale, crowned
with two capital lions. If any fault can be found with this elegant
piece of architecture, it is that the area below is too small in
proportion to the grandeur of this part of the building.
It is intended that this Palace shall contain apartments for all the
Officers of State, &c. who by the skill of the architect, will be most
conveniently lodged; as yet, however, none but those of the King are
completed. These are finished in the richest style, and with a neatness
and elegance that prevents our being dazzled by their magnificence. The
walls are washed with light colours (for the Italians use no paper),
with elegant mouldings of gold and silver, and the ceilings are adorned
with a variety of most beautiful paintings. That of the Three Graces in
the Queen's bath, is a most masterly piece; they have just been bathing,
the beauty of their faces and symmetry of their persons, are beyond
description.
Public-domain text, read in full here on John Shaqi.
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