A Treatise of Human Nature: Being an Attempt to Introduce the Experimental Method Into Moral Subjects; and Dialogues Concerning Natural ReligionHume, David
PhilosophyPhilosophy
A Treatise of Human Nature: Being an Attempt to Introduce the Experimental Method Into Moral Subjects; and Dialogues Concerning Natural Religion
Hume, David
Emotions; Ethics; Knowledge, Theory of; Philosophy, English
303. Now that ‘an object exists’ can with Hume mean no more than
that an ‘impression’ is felt, and without succession of feelings
according to him there is no time. [1] It follows that unity in the
existence of the object, being incompatible with _succession_ of
feelings, is incompatible also with existence in time. Either then
the unity of the object or its existence at manifold times--both
being involved in the conception of identity--must be a fiction; and
since ‘all impressions are perishing existences,’ perishing with a
turn of the head or the eyes, it cannot be doubted which it is that
is the fiction. That the existence of an object, which we call the
same with itself, is broken by as many intervals of time as there are
successive and different, however resembling, ‘perceptions,’ must be
the fact; that it should yet be one throughout the intervals is a
fiction to be accounted for, Hume accounts for it by supposing that
when the separate ‘perceptions’ have a strong ‘natural relation’ to
each other in the way of resemblance, the transition from one to
the other is so ‘smooth and easy’ that we are apt to take it for
the ‘same disposition of mind with which we consider one constant
and uninterrupted perception;’ and that, as a consequence of this
mistake, we make the further one of taking the successive resembling
perceptions for an identical, _i.e._ uninterrupted as well as
invariable object. [2] But we cannot mistake one object for another
unless we have an idea of that other object. If then we ‘mistake the
succession of our interrupted perceptions for an identical object,’
it follows that we have an idea of such an object--of a thing one
with itself throughout the succession of impressions--an idea which
can be a copy neither of any one of the impressions nor, even if
successive impressions could put themselves together, of all so
put together. Such an idea being according to Hume’s principles
impossible, the appearance of our having it was the fiction he had
to account for; and he accounts for it, as we find, by a ‘habit of
mind’ which already presupposes it. His procedure here is just the
same as in dealing with the idea of vacuum. In that case, as we saw,
having to account for the appearance of there being the impossible
idea of pure space, he does so by showing, that having ‘an idea of
distance not filled with any coloured or tangible object,’ we mistake
this for an idea of extension, and hence suppose that the latter
may be invisible and intangible. He thus admits an idea, virtually
the same with the one excluded, as the source of the ‘tendency to
suppose’ which is to replace the excluded idea. So in his account of
identity. Either the habit, in virtue of which we convert resembling
perceptions into an identical object, is what Hume admits to be a
contradiction, ‘a habit acquired by what was never present to the
mind’; [3] or the idea of identity must be present to the mind in
order to render the habit possible.
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