309. That it is gratuitous we may readily admit, but only because a recognition of the function of the Ego in the primary constitution of the qualified individual object--this pen or this paper--renders it superfluous. To the philosophy, however, in which Hume was bred, the perception of a qualified object was simply a feeling. No intellectual synthesis of successive feelings was recognized as involved in it. It was only so far as the dependence of the feeling on our organs, in the absence of any clear distinction between feeling and felt thing, seemed to imply a dependent and broken existence of the thing, that any difficulty arose--a difficulty met by the supposition that the felt thing, whose existence was thus broken and dependent, represented an unfelt and permanent thing of which it is a copy or effect. To the Berkeleian objections, already fatal to this supposition, Hume has his own to add, viz. that we can have no idea of relation in the way of cause and effect except as between objects which we have observed, and therefore can have no idea of it as existing between a perception and an object of which we can only say that it is not a perception. Is all existence then ‘broken and dependent’? That is the ‘sceptical’ conclusion which Hume professes to adopt--subject, however, to the condition of accounting for the contrary supposition (without which, as he has to admit, we could not think or speak, and which alone gives a meaning to his own phraseology about impressions and ideas) as a fiction of the imagination. He does this, as we have seen, by tracing a series of contradictions, with corresponding hypotheses invented, either instinctively or upon reflection, in order to escape the uneasiness which they cause, all ultimately due to our mistaking similar successive feelings for an identical object. Of such an object, then, we must have an idea to begin with, and it is an object permanent throughout a variation of time, which means a succession of feelings; in other words, it is a felt thing, as distinct from feelings but to which feelings are referred as its qualities. Thus the most primary perception--that in default of which Hume would have no reality to oppose to fiction, nor any point of departure for the supposed construction of fictions--already implies that transformation of feelings into changing relations of a thing which, preventing any incompatibility between the perpetual brokenness of the feeling and the permanence of the thing, ‘eludes’ by anticipation all the contradictions which, according to Hume, we only ‘elude’ by speaking as if we had ideas that we have not. Yet they are not possible ideas, because copied from no impressions.