Previous to the year 1755, the choir of Amiens cathedral had retained its ancient and magnificent fittings,—altar, sedilia, jubé, all were perfect; but at that fatal period, Mons. de la Mothe, a pious and well-intentioned bishop, but a man of execrable taste, and devoid of all feeling for true ecclesiastical architecture, conceived the unfortunate project of modernizing this glorious choir: and, at an enormous expense, the ancient works were demolished, to be replaced by the incongruous masses of marble clouding and meretricious decorations that so wofully disfigure this noble church. Then was it, and _not till then_, that the great jubé was removed, that most wonderful book of stone, as Mons. Duval most aptly terms it, in which the people had, for so many centuries, beheld a lively representation of the life and sufferings of our Lord. At the same time, eight of the unrivalled stalls were hewn down to widen the choir gates; and the remainder of this matchless work of Arnould Boulen were only suffered to remain on account of the immense cost of replacing them by modern work. These barbarous innovations were strongly opposed by many members of the chapter, but the influence of M. de la Mothe prevailed, to the irreparable loss of this mighty fabric. It is worthy of remark that a pastoral letter of M. de Sebatier, the predecessor of M. de la Mothe in the see of Amiens, is still preserved, in which that prelate actually recommends the destruction and removal of ancient imagery and furniture from the churches in his diocese, as incompatible with _simplicity_ and _cleanliness_! Such were the ideas of the men under whom the great churches of France were mutilated and disfigured. "Nous avons été surpris de voir que dans les églises où l'on avait fait des dépenses considérables et de nouvelles décorations, on y eut étalé les mauvais restes des tabernacles, des figures mutilées, et des autres vieux ornements, dans d'autres endroits de l'église, où ils ne sont pas moins difformes que dans l'endroit dont on les a tirés, et qui bien loin de servir d'ornement, ne servent qu'à amasser de la poussière, et y faire un nouvel embarras. Nous aurions donc souhaité que les figures mutilées eussent été enterrées secrètement dans la cimetière, et les vieux ornements, ou de bois ou de pierre, vendus, s'ils en valaient la peine, au profit de la fabrique, plutôt que de rester dans cet état. C'est aussi ce que nous espérons qu'on fera dans la suite pour éviter la confusion qu'un amas inutile de ces vieux restes a coutume de causer dans les églises dont la propreté et la simplicité doivent faire le principal ornement." ABBAYE DE S. BERTIN, S. OMERS. The Abbé de Condite is mentioned in the cartulary of S. Berlin as having erected in 1402 a jubé or doxale of wood, decorated with many images in copper, gilt. This jubé was replaced by one of black and white marble, commenced in the year 1621, and completed in 1626.