A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic SignificationPugin, Augustus Welby Northmore
History
A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic Signification
Pugin, Augustus Welby Northmore
Screens (Church decoration)
The entrance to the choir was closed by brass gates of open design, and
the whole was surmounted by a great crucifix suspended from the
vaulting, with the accompanying images of St. Mary and St. John. This
cross was made by Abbot Simon II. in the twelfth century, and was
doubtless the same that belonged to the ancient jubé. This grand church
was desecrated and ruined in the great revolution, and _totally
demolished under the Restoration_!
S. QUENTIN.
The choir of this church was enclosed by sculptures representing the
life of the patron saint, under canopies similar to those at Amiens
cathedral, with a jubé of the same character. Both destroyed at the
revolution in 1790.
CATHEDRAL OF LYONS.[13]
The old jubé was demolished by the Huguenots in 1562, and rebuilt by the
canons in 1585, as was proved by the following inscription, cut on a
marble slab:—
QUOD . BELL . CIVIL LICENTIA.
FOEDE . DISIECTUM FUERAT
D.O.M. PROPITIO . CAN . ET COM.
LUG REST . CC . AN . MD.LXXXV.
This screen was entirely demolished in the revolution of 1790.—Thiers's
Dissertation sur les Jubés.
CATHEDRAL OF ORLEANS.
A jubé of marble, designed by J. Hardouin Mansard, was erected in 1690,
and destroyed, as well as the choir stalls, in the great revolution.
ABBEY OF S. DENIS, NEAR PARIS.
Dom Michel Felibien, a Benedictine monk of the Maurist congregation,
thus describes a screen erecting at St. Denis in his time: "They are now
working at the erection of a screen of iron-work, of the Ionic order,
with pilasters terminating in caryatides; the centre door will be
surmounted by a cross, covered with plates of gold, enriched with
ornaments and precious stones, the workmanship of which is traditionally
ascribed to S. Eligius."—Histoire de l'Abbaye Royale de S. Denis; Paris,
1706, p. 533.
From this description it is evident that this screen, with the exception
of the cross, must have been of wretched design; still there is all the
principle of the olden arrangement; and in the plan of the church
figured in the same work, the two staircases leading up to the ambones
for the Epistle and Gospel are distinctly marked. This screen, which
replaced the ancient jubé, probably erected in the time of Abbot Suger,
was entirely demolished in 1792.
NOTRE DAME DE MANTES.
Public-domain text, read in full here on John Shaqi.
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