A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic SignificationPugin, Augustus Welby Northmore
History
A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic Signification
Pugin, Augustus Welby Northmore
Screens (Church decoration)
Redeemer in the huge _room_ called the Madeleine. Designed by infidels,
built by infidels, and suited only for infidel purposes, and then turned
over, for want of another use, to become a church!
The very decorations are an insult to Christianity; an ambitious
conqueror, set up as a deity, occupying the place of our divine Redeemer
himself, a mockery and a terrible blasphemy against that God to whose
service the place has been unfortunately devoted; moreover, this
monument of absurd impiety has been raised at a greater cost than what
would have produced one of the fairest churches of mediæval
construction, and it is so practically unsuited for even the ordinary
requirements of a church, that there are no means for hanging bells, but
a vain attempt was made of suspending them in the roof, where they
stunned all _within_ the building, and were inaudible to those
_without_, for whose benefit they were intended, and, after a short
trial, they were finally removed.
I have been induced to speak particularly of this edifice, as it is the
beau ideal of a modern church in the minds of those who are opposed to
screens; for the principles of these men, worked out to their legitimate
ends, are subversive of every tradition and the whole system of
ecclesiastical architecture. Screens are, in truth, the very least part
of the cause of their animosity to the churches of their Fathers, for if
any man says he loves pointed architecture, and hates screens, I do not
hesitate to denounce him as a liar, for one is inseparable from the
other, and _more_, inseparable from _Catholic arrangement in any style_,
Byzantine, Norman, Pointed, or debased. We have now to contend for the
great principles of Catholic antiquity,—tradition and reverence against
modern development and display. It is not a struggle for taste or
ornament, but a contention for _vital principles_. There is a most
intimate connection between the externals of religion and the faith
itself; and it is scarcely possible to preserve the interior faith in
the doctrine of the holy eucharist if all exterior reverence and respect
is to be abolished.
"There is no higher act in the Christian religion," says Father Le Brun,
"than the Sacrifice of the Mass; the greater portion of the other
sacraments, and nearly all the offices and ceremonies of the church, are
only the means or the preparation to celebrate or participate in it
worthily." Such being the case, it is but natural that the place where
this most holy sacrifice is to be offered up, should be set apart and
railed off from less sacred portions of the church, and we find this to
have been the case in all ages, in all styles, and in all countries
professing the Catholic faith down to a comparatively very recent
period, when in many places all feelings of sanctity, tradition, and
reverence, seemed to have been superseded by ignorant innovation and
love of change.
Public-domain text, read in full here on John Shaqi.
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