A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic SignificationPugin, Augustus Welby Northmore
History
A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic Signification
Pugin, Augustus Welby Northmore
Screens (Church decoration)
It will be shown in this work that the idea of room-worship, and the
all-seeing principles, is a perfect novelty. Those indeed who would make
the mass _a sight_, are only to be compared to the innovators of the
16th century, who made it essential to be _heard_; those who compiled
the Book of Common Prayer converted the mass into all-hearing service;
this was the great object of the vernacular change, that people might
_hear_ the priest; they were to be edified by what he _said_, more than
what he _did_; the sacrificial act was merged into the audible
recitation of prayers and exhortations; for this reason the altars, in
the reign of Edward the Sixth, were to be moved down from their eastern
position to the entrance of the chancel, to enable the people to hear;
this led to the demolition of stone altars and the substitution of
tables. For this reason the whole congregation crowd into the choirs of
the cathedrals, leaving the rest of the church deserted. For this
reason, in large parochial churches, the chancel has been often entirely
cut off, and a portion of the nave glazed in and reduced to such a size
that the people could hear the clergyman; these were all natural
consequences of the change of principle consequent on the translation of
the mass, and the altered nature of its celebration. That churches are
now built after the old tradition for the service of the separated
portion of the English Church, is purely owing to an internal revival of
Catholic feelings and traditions in that body: the cause is a return to
Catholic truth and reverence; the effect is the erection of churches in
accordance with those feelings. It has been a charge and reproach made
by Catholics against their separated countrymen, that the old fabrics
were unsuited to their service, and unquestionably, on the principle
that it was essential for _every one to hear_, they were so. But I will
ask these new-fashioned men if it is indispensable for _every one to
see_, how much better are they adapted for modern Catholic rites? They
become as unfit for one as the other, for it is unquestionable, that
comparatively very few persons in these cruciform churches could obtain
a view of the altar, and this _independent of any screen-work_, the
disposition of the pillars intersecting and shutting out all those who
are stationed in the aisles and transepts.
I have always imagined that one great distinction between the Protestant
and Catholic services was this, that the former was essentially a
_hearing_ service, at which only a comparatively few persons could
assist, while at the latter many thousands, or, indeed, hundreds of
thousands could unite in one great act of adoration and praise,
concentrating their thoughts and intentions with the priest who is
offering at God's altar, although he is far shut off from their vision.
Public-domain text, read in full here on John Shaqi.
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