A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic SignificationPugin, Augustus Welby Northmore
History
A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic Signification
Pugin, Augustus Welby Northmore
Screens (Church decoration)
appear—axes gleam—heavy blows fall thick; some cleave, some pierce, some
shout, and with one great crash it totters and falls—images, cross—all
lie a ruin on the ancient pavement. The work of destruction now
proceeds: some wrench the extended limbs from the sculptured cross;
broken and dismembered, the sacred image of the Redeemer is dragged down
the nave; while others deface and cleave the evangelistic symbols,
tossing the fragments in wild derision; some curse, some spit, some
foam, others exclaim, "Into the fire with it!" and a glare of light
striking through the western window, showed that the suggestion had been
followed; it crackled in the garth, and now the mangled images are piled
on the roaring mass, while furious cries, "Away with it! Destroy it
utterly!" break through the stillness of the night, and scare the
affrighted parishioners, who behold this horrible spectacle from their
gabled residences. Nearly three hundred years have elapsed, and the rood
was again raised in glory in this very city, and the cry "Away with it!"
was again heard. Came it from the blaspheming Jews? No. Came it from the
bitter Calvinists? No. Came it from the incarnate fiends? No. It
proceeded from a _modern Catholic ambonoclast_!!!!
THE PAGAN AMBONOCLAST.
Louis de Chantal was born in France, of noble parents, about the middle
of the eighteenth century; being a younger brother, he was destined from
his earliest years to the ecclesiastical state, but on arriving at a
maturer age, his tastes and inclinations were so adverse to the sacred
functions, that he proceeded no further than receiving the tonsure,
which enabled him to hold the rich ecclesiastical preferment in the gift
of his family, and entitled him to the appellation of Monsieur l'Abbé de
Chantal. He soon became commendatory abbot of two once great religious
establishments, then languishing under a sad decay of zeal and
discipline consequent on the loss of a regular head. The great object of
commendatory abbots was to keep the number of religious to the lowest
possible amount, in order to profit the more by the revenues, which they
diverted to their own private benefit and luxury. At Conques the decay
of the temporal kept pace with that of the spiritual; the buildings
which, for the most part, had been erected during the glorious period of
S. Louis, were falling fast to ruin. The regular portions, now much too
large for the habitations of the few religious that remained, exhibited
the desolate appearance of neglect and emptiness. Verdure luxuriated in
the untrodden courts, and sprung up even in the very cloister, whose
vaults had long ceased to echo the regulated tread and solemn chaunt of
the ancient Benedictines. It was evident that essential repairs could
not long be postponed, and a bull issued by the Pope a few years
previous, requiring the conventual buildings of France to be
substantially repaired out of the revenues, was still in force. The
Public-domain text, read in full here on John Shaqi.
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