A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic Signification — John Shaqi
A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic SignificationPugin, Augustus Welby Northmore
History
A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic Signification
Pugin, Augustus Welby Northmore
Screens (Church decoration)
_Real Protestants_ have always built rooms for their worship, or walled
up the old churches, when they have fallen into their possession, into
four or five distinct spaces, as in Scotland. But the separated church
of England, though Protestant in position, in name, and in practice, has
retained so much of the old traditions in her service, and is linked by
so many ties to older and better times, that she naturally turns back to
them with affection and reverence, and seeks, as far as her maimed rites
and fettered position will admit, to restore the departed glory of the
sanctuary. Few persons are aware that the choirs of three of the English
cathedrals were completely restalled, and after the old arrangements, by
the munificence of churchmen in the seventeenth century; moreover, the
completion of some towers and extensive works date from the same period.
It is a consoling fact, that the cathedrals of England retain more of
their old Catholic arrangements and fittings than most of those on the
continent: and as regards the fabricks, they have suffered less injury,
and have preserved their original character most wonderfully.
Architecturally, we must certainly admit that the Anglicans have been
good tenants of the old fabricks; we must not test them by the works of
preceding centuries, but by the corresponding period; and when we
reflect on the debased state of design and art that prevailed, even in
those countries which were nominally exclusively Catholic, we may be
thankful that our great religious edifices have been so well handed down
to our own times, when the recognition of their beauty and grandeur is
daily increasing.[2] I have dilated on this subject, for if the
lingering remains of Catholic traditions which have been so imperfectly
preserved since the separation of England in the sixteenth century, have
yet produced such edifying results, how much more have we reason to
expect from those who should possess them in all their fullness! and how
heart-rending, how deplorable, how scandalous is it to behold (as, sad
to say, we have now fearful examples) even priests of the very temple
combining, by word and deed, to break down the carved work of the
sanctuary, and destroying the barriers erected by ancient reverence and
faith!
But to return, I cannot too strongly impress on the minds of my readers
that the very _vitals_ of Catholic architecture are assailed by the
opponents of screens.
Public-domain text, read in full here on John Shaqi.
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