A Tree with a Bird in it:: A Symposium of Contemporary American Poets on Being Shown a Pear-tree on Which Sat a GrackleWiddemer, Margaret
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A Tree with a Bird in it:: A Symposium of Contemporary American Poets on Being Shown a Pear-tree on Which Sat a Grackle
Widdemer, Margaret
American poetry -- 20th century; Parodies
(_From right and left of stage enter Semi-Choruses Magazine Editors and
Book Publishers, tearing their hair rhythmically._)
SEMI-CHORUS OF EDITORS
We have mailed their poems back
To every man and woman-jack
Who weigh the postman down
From country and from town;
But all in vain, in vain,
They mail them in again!
SEMI-CHORUS OF PUBLISHERS
Though we've sent them flying,
We are nearly dying,
From the books of poetry
Sent by people unto we;
In vain we keep them off our shelves,
They go and publish them themselves!
SPIRIT OF THE REJECTION SLIPS
All, bravely have ye toiled, my masters, aye,
And I've toiled with you.... All in vain, in vain--
(_Enter, with a proud consciousness of duty well done, the Chorus of
Correspondence, Kindergarten, Grammar, High-School and College Classes
for Writing Verse. They sing Joyously_)
The Day has come that we adore,
The Day we've all been working for,
Now babies in their bassinets
And military school cadets,
And chambermaids in each hotel
And folks in slums who cannot spell,
Professors, butchers, clergymen,
And every one, have grabbed a pen:
The Day has come--tra la, tra lee--
_Everybody_ writes poetry!
(_They do a Symbolic Dance with Typewriters, during which enters the
Chorus of Young Men who Run Poetry Magazines. These put on horn-rimmed
spectacles and chant earnestly as follows_)
CHORUS OF YOUNG MEN WHO RUN POETRY MAGAZINES
We're very careful what we put in;
This magazine is of highest grade;
If it doesn't appeal to our personal taste
There's no use sending it, we're afraid;
We don't like Shelley, we don't like Keats,
We don't like poets who're tactlessly dead;
If you write like us there will be no fuss--
That's the best of verse, when the last word's said.... (_Bursting
irrepressibly into youthful enthusiasm, and dashing their horn
spectacles to the ground_)
Yale! Yale! Yale!
Our Poetry!
Fine Poetry!
Nobody Else's Poetry!
Raw! Raw! Raw! Raw!
(_Enter, modestly, the Person Responsible for the Poetic Renaissance in
America. There are four of him--or her, as the case may be--Miss Monroe,
Miss Rittenhouse, Mrs. Stork, Mr. Braithwaite. The Person stands in a
row and recites in unison:_)
I've made Poetry
What it is today;
Or ... at least ...
That's what people say:
Earnest-minded effort
Never can be hid;
The Others think They did it--
But--I--Did!
SPIRIT OF THE REJECTION SLIP, EDITORS AND PUBLISHERS, (_faintly:_)
You _did_? (_They rush out._)
PERSON RESPONSIBLE (_still modestly_)
Well, so they say--
But I have to go away.
I'm due at a lecture
I give at three today.
(_The Person goes out in single file, looking at its watch. As it does so,
there enters a pale and dishevelled girl in Greek robes. It is the Muse._)
MUSE
Public-domain text, read in full here on John Shaqi.
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